YourStateStandards

North Carolina K–6 music standards

North Carolina writes its own music standards. They are published as North Carolina Standard Course of Study — K-12 Music (2024), adopted 2024 and are not a version of a national framework. 72 of 140 are matched to a national standard.

140 rows (20/grade x K-6). 110 HS proficiency-tier ensemble rows excluded. 140/140 code-and-text verbatim against NCDPI's official 2024 Music NCSCOS document.

Framework
North Carolina Standard Course of Study — K-12 Music (2024)
Adopted
2024
Source last checked
July 26, 2026
Read the official document

140 standards, kindergarten through 6th grade

  • K.CN.1.1K

    Identify the similarities and differences of music representing diverse global communities.

  • K.CN.1.2K

    Identify how music is used in school and in daily life.

  • K.CN.1.3K

    Describe how music is used in personal experiences.

  • K.CN.2.1K

    Identify the various roles of individuals that contribute to the creation and production of music, such as singers, instrumentalists, composers, conductors, etc.

  • K.CN.2.2K

    Identify music that is created with technology tools.

  • K.CR.1.1K

    Improvise rhythmic patterns and 2-pitch melodic patterns.

  • K.CR.1.2K

    Notate 4-8 beats of original rhythmic ideas using iconic notation that incorporate grade-level appropriate rhythms.

  • K.CR.2.1K

    Create soundscapes using a variety of traditional and non-traditional sound sources.

  • K.CR.2.2K

    Explain the difference between original and copied musical ideas or works.

  • K.PR.1.1K

    Improve musical skills by incorporating feedback from instructors.

  • K.PR.1.2K

    Read iconic notation to sing or play melodic patterns with at least two pitches and rhythmic patterns with quarter note and beamed eighth pairs in a variety of meters.

  • K.PR.1.3K

    Perform a steady beat in isolation and when singing or playing in unison.

  • K.PR.1.4K

    Demonstrate opposites in tempos, form, texture, and dynamics.

  • K.PR.2.1K

    Name the production elements needed to develop formal and informal performances.

  • K.PR.2.2K

    Identify appropriate audience and performer etiquette.

  • K.RE.1.1K

    Identify opposites in tempos, form, texture, and dynamics in aural or written musical works.

  • K.RE.1.2K

    Describe emotions evoked by a given musical work.

  • K.RE.1.3K

    Identify a variety of instruments and vocal timbre types by sound, including sing, speak, whisper, and shout.

  • K.RE.2.1K

    Describe personal preferences for musical works.

  • K.RE.2.2K

    Provide positive feedback for others.

  • 1.CN.1.11

    Explain how music can reflect culture, values, and ideas.

  • 1.CN.1.21

    Identify cross-curricular connections between music and other arts disciplines.

  • 1.CN.1.31

    Describe how music exists in local community traditions, celebrations, entertainment, or other uses.

  • 1.CN.2.11

    Identify the various roles of individuals that contribute to the support and consumption of music.

  • 1.CN.2.21

    Describe how innovations and technology are used to create and present music.

  • 1.CR.1.11

    Improvise 4-8 beat rhythmic patterns and 3-pitch melodic patterns.

  • 1.CR.1.21

    Notate 4-8 beats of original rhythmic ideas using iconic or standard notation that incorporate grade-level appropriate rhythms.

  • 1.CR.2.11

    Accompany readings, stories, or dramatizations with corresponding traditional and non-traditional sound sources.

  • 1.CR.2.21

    Explain how and when to give credit to others when creating work that borrows from other musicians.

  • 1.PR.1.11

    Improve musical skills by incorporating feedback from instructors and peers.

  • 1.PR.1.21

    Read iconic or standard notation to sing or play music with at least three pitches and rhythms with quarter rests in 2/4 and 4/4 meters.

  • 1.PR.1.31

    Sing or play in unison with simple accompaniments.

  • 1.PR.1.41

    Demonstrate opposites in tempos, form, texture, articulations, and dynamics.

  • 1.PR.2.11

    Identify the production elements needed to develop formal and informal performances.

  • 1.PR.2.21

    Contrast audience and performer etiquette.

  • 1.RE.1.11

    Identify opposites in tempos, form, texture, articulations, and dynamics in aural or written musical works.

  • 1.RE.1.21

    Explain how musical works are used to communicate meaning.

  • 1.RE.1.31

    Identify a variety of instruments and voices by sound, including available classroom instruments.

  • 1.RE.2.11

    Describe personal preferences for music.

  • 1.RE.2.21

    Provide positive feedback and areas for improvement for others.

  • 2.CN.1.12

    Describe how American music reflects the heritage, customs, and traditions of people in the United States, including various indigenous and cultural groups.

  • 2.CN.1.22

    Identify cross-curricular connections between music and other content areas.

  • 2.CN.1.32

    Describe how music exists in national traditions, celebrations, entertainment, or other uses.

  • 2.CN.2.12

    Compare the roles of various individuals that contribute to the creation, production, and consumption of music.

  • 2.CN.2.22

    Explain why innovative technologies are used in music.

  • 2.CR.1.12

    Improvise 8-12 beats of rhythmic patterns and melodic patterns.

  • 2.CR.1.22

    Notate 8-12 beats of original rhythmic ideas using iconic or standard notation that incorporate grade-level appropriate rhythms.

  • 2.CR.2.12

    Accompany readings, stories, or dramatizations with corresponding vocal or instrumental sounds.

  • 2.CR.2.22

    Explain how to share music fairly.

  • 2.PR.1.12

    Improve musical skills by applying feedback from instructors, peers, and self.

  • 2.PR.1.22

    Read iconic or standard notation to sing or play music with three or more pitches, and half notes, half rests, and tied rhythms in 2/4 and 4/4 meters.

  • 2.PR.1.32

    Sing or play in rounds and ostinatos.

  • 2.PR.1.42

    Demonstrate changes in tempos, form, texture, articulations, phrasing, and dynamics.

  • 2.PR.2.12

    Describe the production elements needed to develop formal and informal performances.

  • 2.PR.2.22

    Demonstrate appropriate audience and performer etiquette.

  • 2.RE.1.12

    Identify changes in tempos, form, texture, articulations, phrasing, and dynamics in aural and written musical works.

  • 2.RE.1.22

    Identify a "story" told in a work of music.

  • 2.RE.1.32

    Describe the timbres of a variety of instruments and voices, and the way in which the sound is produced.

  • 2.RE.2.12

    Explain why some music is valued over others by different individuals, communities, and cultures.

  • 2.RE.2.22

    Provide positive feedback to self and others.

  • 3.CN.1.13

    Describe music found in the local community or region.

  • 3.CN.1.23

    Compare elements of music with elements of other disciplines.

  • 3.CN.1.33

    Describe personal emotions evoked by a variety of music.

  • 3.CN.2.13

    Identify music careers in the local community.

  • 3.CN.2.23

    Describe how music has changed over time with the introduction of new technology.

  • 3.CR.1.13

    Improvise stylistically appropriate responses to given rhythmic or melodic phrases.

  • 3.CR.1.23

    Notate 4-8 measures of original rhythmic ideas and melodic ideas using iconic or standard notation that incorporate grade-level appropriate rhythms and pitches.

  • 3.CR.2.13

    Arrange an existing piece by changing one or more musical elements.

  • 3.CR.2.23

    Identify music that can be used by everyone fairly.

  • 3.PR.1.13

    Improve compositions and musical skills by applying formal or informal feedback.

  • 3.PR.1.23

    Read iconic or standard notation to sing or play music using any pentatonic scale, and whole note, dotted half note, whole rest, and beamed sixteenth note rhythms in 2/4, 3/4, and 4/4 meters.

  • 3.PR.1.33

    Sing or play partner songs.

  • 3.PR.1.43

    Demonstrate the meaning of symbols and terminology for a variety of tempos, articulations, forms, and dynamics when performing music.

  • 3.PR.2.13

    Compare, with guidance, music to perform and the production elements needed to support a performance.

  • 3.PR.2.23

    Identify how audience and performer etiquette changes based on the context.

  • 3.RE.1.13

    Identify symbols and terminology for a variety of tempos, articulations, forms, and dynamics in aural and written musical works.

  • 3.RE.1.23

    Infer meaning from musical works using musical vocabulary.

  • 3.RE.1.33

    Identify a variety of instruments and voices by sound, including folk and orchestral instruments.

  • 3.RE.2.13

    Contrast individual preferences for particular works or genres of music with preferences of peers.

  • 3.RE.2.23

    Apply specific criteria to construct respectful feedback about music and composition.

  • 4.CN.1.14

    Describe styles and musicians who have influenced, or been influenced by, the customs and traditions of indigenous and other cultural groups in North Carolina.

  • 4.CN.1.24

    Describe how other content areas can inspire programmatic music, soundscapes, or concepts.

  • 4.CN.1.34

    Describe personal emotions and memories evoked by a variety of music.

  • 4.CN.2.14

    Describe music careers in North Carolina.

  • 4.CN.2.24

    Compare how music has changed and remained the same with advances in technology and digital media.

  • 4.CR.1.14

    Improvise pentatonic melodies over an ostinato.

  • 4.CR.1.24

    Notate or record 4-8 measures of original rhythmic ideas and melodic ideas for two or more performers that incorporate grade-level appropriate rhythms and pitches.

  • 4.CR.2.14

    Align original poetry with a pre-existing melody; or a pre-existing piece of poetry with an original melody.

  • 4.CR.2.24

    Identify how to responsibly use resources for online access of music.

  • 4.PR.1.14

    Improve compositions and musical skills by applying feedback from peers or self based on student-generated criteria.

  • 4.PR.1.24

    Read standard notation to sing or play music using any major key, and dotted quarters and groups of three eighth notes and rests in 6/8 meter, and beamed sixteenth and eighth note rhythms in 2/4, 3/4, and 4/4 meters.

  • 4.PR.1.34

    Sing or play songs with occasional harmonizations.

  • 4.PR.1.44

    Demonstrate the meaning of symbols and terminology for the continua of tempos and dynamics, including crescendos and decrescendos, and a variety of forms and articulations when performing music.

  • 4.PR.2.14

    Compare, with guidance, music to perform and the production elements needed to support the context and purpose of a performance.

  • 4.PR.2.24

    Create criteria for audience and performer etiquette in a variety of contexts.

  • 4.RE.1.14

    Identify symbols and terminology for tempos, dynamics, including crescendos and decrescendos, and a variety of forms and articulations in aural and written musical works.

  • 4.RE.1.24

    Compare different interpretations of the same musical work using musical vocabulary.

  • 4.RE.1.34

    Describe the timbres of a variety of instruments and voices used in diverse types of ensembles.

  • 4.RE.2.14

    Compare personal responses to a musical work before and after engaging with similar musical works.

  • 4.RE.2.24

    Generate criteria in collaboration with others for evaluating musical performances and compositions.

  • 5.CN.1.15

    Describe styles and musicians who have influenced, or been influenced by, the customs and traditions of indigenous and other cultural groups in the United States.

  • 5.CN.1.25

    Describe how other disciplines inspire, and can be a part of, music creation or performance.

  • 5.CN.1.35

    Identify how music is used in the media to evoke emotions.

  • 5.CN.2.15

    Identify the characteristics and behaviors of musicians that connect to college, career, and post-secondary skills.

  • 5.CN.2.25

    Cite examples of musical works or musicians that were innovative for their time.

  • 5.CR.1.15

    Improvise a 4-12 measure melody over a changing harmonic accompaniment.

  • 5.CR.1.25

    Notate or record original rhythmic ideas and melodic ideas using several voices or instruments that incorporate grade-level appropriate rhythms and pitches.

  • 5.CR.2.15

    Accompany an existing melody with an original rhythmic or melodic ostinato.

  • 5.CR.2.25

    Cite artists correctly when utilizing or adapting their original music.

  • 5.PR.1.15

    Improve compositions and musical skills by applying feedback from peers or self based on student-generated criteria.

  • 5.PR.1.25

    Read standard notation to sing or play music using any major or minor key, and syncopation in 2/4, 3/4, or common time meters, including rhythms in 6/8 meter.

  • 5.PR.1.35

    Sing or play songs with two-part harmony.

  • 5.PR.1.45

    Demonstrate the meaning of symbols and terminology for the continua of tempos and dynamics, and a variety of forms and articulations independently when performing music.

  • 5.PR.2.15

    Compare music to perform and the production elements needed to support the context and purpose of a performance, working collaboratively.

  • 5.PR.2.25

    Evaluate the etiquette of the audience and performers in a variety of contexts.

  • 5.RE.1.15

    Analyze symbols and terminology for the continua of tempos and dynamics, and a variety of forms and articulations in aural and written musical works.

  • 5.RE.1.25

    Speculate on the composer's purpose in choosing specific qualities for a musical work using musical vocabulary.

  • 5.RE.1.35

    Analyze the timbres of a variety of instruments and voices within a musical work.

  • 5.RE.2.15

    Defend personal preferences for particular musical works.

  • 5.RE.2.25

    Evaluate musical performances and compositions using student-generated criteria.

  • 6.CN.1.16

    Explain how music expresses and reflects the values of civilizations around the world.

  • 6.CN.1.26

    Explain how the development of musical ideas can be informed and inspired by concepts from other content areas.

  • 6.CN.1.36

    Describe sensory, emotional, personal, or intellectual responses to a variety of music.

  • 6.CN.2.16

    Identify the musical skills, characteristics, and behaviors needed for success in music careers.

  • 6.CN.2.26

    Compare how innovative tools and ideas have been used in a variety of musical works.

  • 6.CR.1.16

    Improvise rhythmic patterns over a rhythmic or harmonic accompaniment.

  • 6.CR.1.26

    Compose 4-8 measures of original rhythmic ideas and melodic ideas through notation or recording that incorporate grade-level appropriate rhythms and pitches.

  • 6.CR.2.16

    Arrange an existing piece of music, changing two or more musical elements.

  • 6.CR.2.26

    Describe how fair use, copyright, public domain, open source, and creative commons affect the ability of musicians to create original and arranged music.

  • 6.PR.1.16

    Apply feedback from instructors to refine musical presentations, compositions, or ideas.

  • 6.PR.1.26

    Read standard notation to perform or produce music using any major or minor key and triplet rhythms in 2/4, 3/4, 4/4, 6/8, and 12/8 meters.

  • 6.PR.1.36

    Perform or produce a variety of music in unison or simple harmony, using rounds, canons, or partner songs.

  • 6.PR.1.46

    Demonstrate the meaning of symbols and terminology for the continua of tempos of dynamics, and an expanded range of forms and articulations with appropriate technique when performing or producing music.

  • 6.PR.2.16

    Compare, with guidance, production elements, and how they enhance a musical presentation.

  • 6.PR.2.26

    Demonstrate audience or performer etiquette appropriate in a variety of contexts.

  • 6.RE.1.16

    Identify symbols and terminology for the continua of tempos and dynamics, and an expanded range of forms and articulations in aural and written musical works.

  • 6.RE.1.26

    Identify multiple meanings for musical works, citing evidence.

  • 6.RE.1.36

    Identify the timbres of a variety of instruments and voices heard in traditional, contemporary, and world music.

  • 6.RE.2.16

    Identify appealing qualities and effective portions of musical works.

  • 6.RE.2.26

    Evaluate musical presentations, compositions, and musical ideas using given criteria.

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