YourStateStandards

Utah K–6 dance standards

Utah writes its own dance standards. They are published as Utah Fine Arts Core Standards K-6 — Dance, adopted 2016 and are not a version of a national framework. Every one is matched to a national standard.

Split from the combined CSP 'Fine Arts (2016-)' art.csv by discipline letter (D). Replaces the superseded 1997-2016 CSP dance family. See scripts/split-ut-arts.mjs — re-run after any re-fetch.

Framework
Utah Fine Arts Core Standards K-6 — Dance
Adopted
2016
Source last checked
August 2, 2026
Read the official document

124 standards, kindergarten through 6th grade

  • K.D.CO.1K

    Recognize and name emotions experienced when watching, improvising, or performing dance, and relate it to a personal experience.

  • K.D.CO.2K

    Describe and demonstrate movements organized around a specific topic.

  • K.D.CR.1K

    Demonstrate willingness to try new ideas when creating dance.

  • K.D.CR.2K

    Explore movement inspired by a variety of stimuli.

  • K.D.CR.3K

    Express an idea, feeling, or image while improvising a dance that has a beginning, middle, and end.

  • K.D.CR.4K

    Respond to suggestions and change movement through guided improvisational experiences.

  • K.D.P.1K

    Maintain personal space while in group formations and start and stop on time.

  • K.D.P.2K

    Make still and moving body shapes that show lines.

  • K.D.P.3K

    Move body parts one at a time and in a variety of combinations.

  • K.D.P.4K

    Demonstrate locomotor and non-locomotor movements.

  • K.D.P.5K

    Demonstrate contrasts in tempo by matching movement to a given beat.

  • K.D.P.6K

    Apply different qualities of movement.

  • K.D.P.7K

    Dance for and with others using established performance etiquette.

  • K.D.R.1K

    Select movements from a dance and explain how the movements suggest an idea.

  • K.D.R.2K

    Identify and demonstrate a movement within a dance, and explain why it is fun to watch and do.

  • 1.D.CO.11

    Recognize and name emotions experienced when watching, improvising or performing dance, and relate it to a personal experience.

  • 1.D.CO.21

    Describe and demonstrate movements organized around a specific topic.

  • 1.D.CR.11

    Demonstrate willingness to try new ideas when creating dance.

  • 1.D.CR.21

    Explore movement inspired by a variety of stimuli.

  • 1.D.CR.31

    Express an idea, feeling, or image while improvising a dance that has a beginning, middle, and end.

  • 1.D.CR.41

    Respond to suggestions and change movement through guided improvisational experiences or short remembered sequences.

  • 1.D.P.11

    Demonstrate moving safely through the space using a range of activities and in and out of spatial arrangements while maintaining personal space.

  • 1.D.P.21

    Make still and moving body shapes that show contrast.

  • 1.D.P.31

    Move body parts one at a time and in a variety of combinations.

  • 1.D.P.41

    Demonstrate locomotor and non-locomotor movements.

  • 1.D.P.51

    Recognize a steady beat and move to varying tempos.

  • 1.D.P.61

    Demonstrate a variety of movement qualities while dancing.

  • 1.D.P.71

    Dance for and with others using established performance etiquette.

  • 1.D.R.11

    Select movements from a dance, and explain how the movements suggest an idea.

  • 1.D.R.21

    Identify and demonstrate movements within a dance, and describe the characteristics that make the movements interesting.

  • 2.D.CO.12

    Observe a work of visual art asking questions for discussion, then describe and express through movement something of interest about the artwork.

  • 2.D.CO.22

    Observe a dance and relate the movement to the people or environment in which the dance was created and performed.

  • 2.D.CR.12

    Demonstrate willingness to work with partners when creating dance.

  • 2.D.CR.22

    Explore movement inspired by a variety of stimuli.

  • 2.D.CR.32

    Express an idea, feeling, or image while improvising a dance that has a beginning, middle, and end.

  • 2.D.CR.42

    Reflect on movement choices and change movement through guided improvisational experiences or short remembered sequences.

  • 2.D.P.12

    Move safely in general space through a range of activities and group formations while maintaining personal space.

  • 2.D.P.22

    Identify symmetrical and asymmetrical body shapes.

  • 2.D.P.32

    Move body parts one at a time and in a variety of combinations.

  • 2.D.P.42

    Demonstrate clear pathways and intent when performing locomotor and non-locomotor movements.

  • 2.D.P.52

    Identify and demonstrate contrasts in tempo and rhythm through movement.

  • 2.D.P.62

    Demonstrate a variety of movement qualities while dancing.

  • 2.D.P.72

    Dance for and with others using performance etiquette where the audience and performers occupy different space, and use limited production elements.

  • 2.D.R.12

    Use basic dance terminology to describe how movement suggests an idea.

  • 2.D.R.22

    Describe the characteristics of dances from a genre or culture that make the movements interesting, giving reasons for the choices of movement.

  • 2.D.R.32

    Describe the characteristics of dances from a genre or culture that make the movements interesting, giving reasons for the choices of movement.

  • 3.D.CO.13

    Respond to a dance work using a set of questions, create movement using ideas from responses, and explain how certain movements express a specific idea.

  • 3.D.CO.23

    Connect a work of dance with a personal experience.

  • 3.D.CO.33

    Find a relationship between movement in a dance and the culture where it originated; explain what the movements communicate about key aspects of the culture.

  • 3.D.CR.13

    Demonstrate willingness to take turns leading and following when creating dance with others.

  • 3.D.CR.23

    Experiment with a variety of self-identified stimuli for movement, and explore a given movement problem by improvising, selecting, and demonstrating possible solutions.

  • 3.D.CR.33

    Improvise and create a dance phrase, alone or with others, that expresses and communicates an idea or feeling.

  • 3.D.CR.43

    Identify and experiment with ways to manipulate a dance phrase, discuss the effect of movement choices, and revise in response to feedback.

  • 3.D.P.13

    Cooperate with a partner or other dancers to safely change levels, directions, and pathway designs in near-, mid-, and far-range movement.

  • 3.D.P.23

    Demonstrate shapes with positive and negative space.

  • 3.D.P.33

    Replicate body shapes, movement characteristics, and movement patterns with self-awareness and body control.

  • 3.D.P.43

    Combine locomotor and non-locomotor movements for skill development.

  • 3.D.P.53

    Respond in movement to even and uneven rhythms.

  • 3.D.P.63

    Identify, perform and describe movements and phrases with contrasting energy and dynamics.

  • 3.D.P.73

    Recall movement sequences with a partner or in group dance activities.

  • 3.D.P.83

    Apply constructive feedback from teacher, peers, and self to improve dance skills.

  • 3.D.P.93

    Use performance etiquette and performance practices during class, rehearsal, and performance and explore simple production elements and vocabulary.

  • 3.D.R.13

    Use basic terminology to describe movement characteristics and patterns, select specific movement cues, and explain how they relate to the main idea of the dance.

  • 3.D.R.23

    Select dance movements from specific genres, styles or cultures, and identify and describe the movement characteristics that make dance artistic. Discuss why the movements were chosen.

  • 4.D.CO.14

    Explain how the main idea of a dance is similar to or different from one's own experiences, relationships, ideas, or perspectives.

  • 4.D.CO.24

    Select a topic of study in school and develop research questions to explore, then choreograph movements that relate key aspects about the topic that communicate the information; discuss what was learned from researching the question and creating the dance.

  • 4.D.CO.44

    Select and describe movements in a specific genre or style, and explain how the movements relate to the culture, society, historical period, or community from which the dance originated.

  • 4.D.CR.14

    Demonstrate willingness to listen to others' ideas and cooperate when creating dance.

  • 4.D.CR.24

    Identify ideas for choreography generated from a variety of stimuli to solve given movement problems.

  • 4.D.CR.34

    Develop a dance study, alone or with others, that expresses and communicates a main idea.

  • 4.D.CR.44

    Manipulate and expand movement possibilities to create a variety of movement patterns and structures, and discuss the reasons for movement choices and the effectiveness of movement choices.

  • 4.D.CR.54

    Revise movement based on peer feedback and self-reflection to improve a short dance study and explain the changes made.

  • 4.D.P.14

    Establish spatial relationships with other dancers while safely using levels, directions, focus, and pathway designs in near-, mid-, and farrange movement.

  • 4.D.P.24

    Make still and moving shapes with positive and negative space.

  • 4.D.P.34

    Analyze and demonstrate how body parts align for safe and efficient movement in activities that extend range of movement, build strength, and develop endurance.

  • 4.D.P.44

    Demonstrate fundamental dance skills through locomotor and nonlocomotor sequences.

  • 4.D.P.54

    Differentiate and perform movement with metric and irregular phrasing and respond to tempo changes as they occur in dance and music.

  • 4.D.P.64

    Analyze, describe, and perform movement phrases using contrasting energy and dynamic changes.

  • 4.D.P.74

    Recall and replicate movement sequences with a partner or in group dance activities.

  • 4.D.P.84

    Apply constructive feedback from teacher, peers, and self to improve dance performance.

  • 4.D.P.94

    Use performance etiquette and performance practices during class, rehearsal, and in formal and informal performance spaces.

  • 4.D.P.104

    Identify, explore, and experiment with a variety of production elements to heighten the artistic intent and audience experience.

  • 4.D.R.14

    Use basic dance terminology to describe patterns of movement that create a style or theme.

  • 4.D.R.24

    Discuss the characteristics that make a dance artistic.

  • 5.D.CO.15

    Compare and contrast two dances with different themes, discuss feelings and ideas evoked by each, and relate to personal experience.

  • 5.D.CO.25

    Select a topic of study in school and research how other art forms have expressed the topic, then create a dance study that expresses the idea.

  • 5.D.CO.35

    Describe how the movement characteristics and qualities of a dance in a specific genre or style communicate the ideas and perspectives of the culture, historical period, or community from which the genre or style originated.

  • 5.D.CR.15

    Demonstrate willingness to try new ideas, methods, and approaches when creating dance.

  • 5.D.CR.25

    Use a variety of stimuli and solve multiple movement problems to develop choreographic content.

  • 5.D.CR.35

    Develop a dance study, creating original movement that expresses and communicates a main idea.

  • 5.D.CR.45

    Manipulate and expand movement possibilities to create a variety of movement patterns and structures, and explain the reasons for and effectiveness of movement choices.

  • 5.D.CR.55

    Explore feedback from others to expand choreographic possibilities for a short dance study that communicates artistic intent, and explain the changes made.

  • 5.D.P.15

    Establish spatial relationships with other dancers while safely using levels, directions, focus, and pathway designs in near-, mid-, and farrange movement.

  • 5.D.P.25

    Integrate still and moving shapes and floor and air pathways into dance sequences.

  • 5.D.P.35

    Develop self-awareness and apply safe movement principles and practices and discuss how these practices promote strength, flexibility, endurance, and injury prevention.

  • 5.D.P.45

    Recall and execute a series of dance phrases using fundamental dance skills.

  • 5.D.P.55

    Differentiate and perform movement with metric and irregular phrasing and accents; respond to tempo changes as they occur in dance and music.

  • 5.D.P.65

    Analyze, refine and perform movement phrases using contrasting energy and dynamic changes.

  • 5.D.P.75

    Collaborate with peer ensemble members to repeat sequences, synchronize actions, and refine spatial relationships to improve performance quality.

  • 5.D.P.85

    Apply feedback from self and others to establish personal performance goals.

  • 5.D.P.95

    Use performance etiquette and practices during class, rehearsal, and in formal and informal performance spaces.

  • 5.D.P.105

    Identify, explore, and select production elements to heighten and intensify the artistic intent of a dance and that are adaptable for various performance spaces.

  • 5.D.R.15

    Use basic dance terminology to describe patterns of movement that create a style or theme.

  • 5.D.R.25

    Define the characteristics that make a dance artistic and meaningful; talk about why these characteristics were chosen, and apply those criteria to dances observed or preformed in a specific genre, style, or cultural movement practice.

  • 6.D.CO.16

    Discuss how the experience of creating and sharing a dance reinforces personal views or offers new knowledge and perspective.

  • 6.D.CO.26

    Conduct research using a variety of resources to find information about a self-selected topic, and use the information to create a dance study that expresses a specific point of view on the topic.

  • 6.D.CO.36

    Interpret and show how the movement and qualities of a dance communicate its cultural, historical, and/or community ideas and perspectives of the culture, historical period, or community purpose or meaning.

  • 6.D.CR.16

    Demonstrate openness, willingness and persistence in trying new ideas, methods and approaches in creating dance.

  • 6.D.CR.26

    Use a variety of stimuli and solve multiple movement problems to develop unique choreographic content.

  • 6.D.CR.36

    Develop a dance study that communicates personal or cultural meaning.

  • 6.D.CR.46

    Manipulate and expand movement possibilities to create a variety of movement patterns and structures, and explain the reasons for and effectiveness of movement choices.

  • 6.D.CR.56

    Revise dance compositions using determined artistic criteria, and explain reasons for revisions and how choices made relate to artistic intent.

  • 6.D.P.16

    Build partner and ensemble skills by demonstrating effective spatial relationships with diverse pathways, levels, and patterns in space.

  • 6.D.P.26

    Integrate original still and moving shapes and floor and air pathways into dance sequences.

  • 6.D.P.36

    Promote safe and healthful strategies by applying basic anatomical knowledge, self-awareness, proprioceptive feedback and spatial awareness while dancing.

  • 6.D.P.46

    Embody technical skills to accurately execute locomotor and nonlocomotor changes of direction, levels, facings, pathways, elevations and landings, extensions of limbs, and movement transitions.

  • 6.D.P.56

    Move accurately in a variety of meters, with and without accented beats, and use combinations of sudden and sustained timing as it relates to the dynamics of a phrase or dance work.

  • 6.D.P.66

    Refine demonstration of varied dynamics within performance.

  • 6.D.P.76

    Collaborate as an ensemble to refine dances by identifying what works and does not work in executing complex patterns, sequences, and formations.

  • 6.D.P.86

    Apply personal and ensemble improvements in performance by responding to feedback from the others.

  • 6.D.P.96

    Use performance etiquette and practices during class, rehearsal, and performance.

  • 6.D.P.106

    Compare and contrast a variety of possible production elements that would intensify and heighten the artistic intent of a dance work in a variety of traditional and alternative performance venues.

  • 6.D.R.16

    Use basic dance terminology to explain how the artistic expression of a dance is achieved through the elements of dance, use of body, dance technique, dance structure and context.

  • 6.D.R.26

    Interpret artistic intent and use criteria to critique a dance and explain what the movement communicates.

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