YourStateStandards

Massachusetts K–6 music standards

Massachusetts writes its own music standards. They are published as Massachusetts Arts Curriculum Framework, adopted 2019 and are not a version of a national framework. 26 of 42 are matched to a national standard.

Framework
Massachusetts Arts Curriculum Framework
Adopted
2019
Source last checked
July 24, 2026
Read the official document

42 standards, kindergarten through 6th grade

  • PK-K.D.P.04K

    Dance Connection: Students select a rhythm instrument to represent the sounds a chosen creature makes and choreograph appropriate motions to represent it.

  • PK-K.M.Co.11K

    Move to different genres and styles of music (e.g., classical, jazz, rock, country, hip-hop

  • PK-K.M.Cr.01K

    With prompting and support, sing or play short original musical ideas

  • PK-K.M.Cr.02.aK

    Focus on and pursue a process or idea to completion during play and experimentation with music.

  • PK-K.M.Cr.02.bK

    Name and demonstrate vocal production types (including speaking, singing, whispering).

  • PK-K.M.Cr.03K

    With prompting and support, choose favorite musical ideas, practicing and demonstrating them vocally or on an instrument.

  • PK-K.M.P.05K

    Demonstrate beat competency by using a steady beat when performing pieces that incorporate simple rhythmic patterns (e.g., body percussion, classroom instruments, or movement).

  • PK-K.M.P.06K

    Perform a short original musical idea through singing and playing with expression.

  • PK-K.M.R.07K

    Meet expectations of an audience member (e.g., listening quietly, clapping at the end).

  • PK-K.M.R.08K

    Share observations regarding diverse musical works (e.g., world, popular, folk, classical, etc.).

  • PK-K.M.R.09K

    Articulate personal responses to music (e.g., “this piece made me feel…” “this piece made me think…”).

  • 1-2.M.Co.111–2

    Identify different genres and styles of music (e.g., folk songs, lullaby, jazz, reggae).

  • 1-2.M.Cr.011–2

    Improvise short original musical ideas.

  • 1-2.M.Cr.021–2

    Connect multiple original musical ideas together into a single piece.

  • 1-2.M.Cr.031–2

    Explore different musical ideas by experimenting with the voice or instruments.

  • 1-2.M.P.041–2

    Sing songs using head voice, appropriately produced tone quality, and correct posture.

  • 1-2.M.P.051–2

    Individually sing and play simple phrases following basic standard notation (e.g., half and quarter notes or matching simple pentatonic patterns).

  • 1-2.M.P.061–2

    Sing and play in groups matching dynamic levels and responding to the cues of a conductor.

  • 1-2.M.R.071–2

    With support, identify basic elements in familiar songs (including tempo, dynamics, rhythm, melody).

  • 1-2.M.R.81–2

    Categorize musical works by feeling or mood.

  • 1-2.M.R.091–2

    Demonstrate active listening as an audience member (e.g., noticing details, making connections).

  • 3-4.M.Cr.013–4

    Sing or play original musical ideas that explore more complex rhythmic and melodic concepts (including, syncopation, three-four time signature, and minor keys).

  • 3-4.M.Cr.023–4

    Organize original musical ideas with clear beginnings, middles, and endings; using simple binary or ternary forms.

  • 3-4.M.Cr.033–4

    Respond to a musical challenge and hypothesize possible solutions.

  • 3-4.M.P.053–4

    Sing and play musical canons, rounds, and music in at least two parts.

  • 3-4.M.P.063–4

    Sing and play in groups responding appropriately to cues of a conductor.

  • 3-4.M.R.073–4

    Analyze how expressive qualities (e.g. tempo, dynamics, timbre) are used to demonstrate a composer’s musical intent.

  • 3-4.M.R.083–4

    Explain the relationship between culture, venue, and audience behavior (e.g., street performance, symphony).

  • 3-4.M.R.093–4

    Identify how the elements of music (e.g., tempo, dynamics, rhythm, melody, harmony) can be used to support the artist's purpose.

  • 5-6.M.Co.105–6

    Describe and demonstrate one’s personal musical style and preferences.

  • 5-6.M.Co.115–6

    Identify influential music from different periods and how they impacted music at the time and potentially today.

  • 5-6.M.Cr.015–6

    Generate interdisciplinary musical ideas using a variety of non-traditional sound sources (e.g., found sounds, digital technology, unusual voices).

  • 5-6.M.Cr.02.a5–6

    Document original simple melodic ideas with standard notation.

  • 5-6.M.Cr.02.b5–6

    Organize musical ideas using expanded forms such as rondo and theme and variations.

  • 5-6.M.Cr.035–6

    Improvise and compare different versions of a single musical idea (e.g., adding flourishes, altering rhythms).

  • 5-6.M.P.045–6

    Identify standard notation symbols and musical terms referring to dynamics, tempo, articulations, meter, and expression and apply them when performing.

  • 5-6.M.P.05a5–6

    Sing and play music written in 3 parts using appropriate technique.

  • 5-6.M.P.05b5–6

    Develop awareness of where the natural break in one’s singing range is located and how to cross the break and even out the voice in this range.

  • 5-6.M.P.065–6

    Sing and play in groups responding to cues from a conductor exhibiting stylistic elements.

  • 5-6.M.R.075–6

    Analyze how an artwork's form (e.g., use of repetition, contrasting patterns, phrases, and themes) supports the composer's intention.

  • 5-6.M.R.085–6

    Use specific vocabulary to identify details about a musical work.

  • 5-6.M.R.095–6

    Apply a rubric to evaluate a musical work (e.g. a rubric that includes accuracy, sound quality, and expressiveness).

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