YourStateStandards

Missouri K–6 theatre standards

Missouri writes its own theatre standards. They are published as Missouri Learning Standards for Fine Arts (2019), adopted 2019 and are not a version of a national framework. 164 of 168 are matched to a national standard.

Framework
Missouri Learning Standards for Fine Arts (2019)
Adopted
2019
Source last checked
July 25, 2026
Read the official document

168 standards, kindergarten through 6th grade

  • TH.K.1A.aK

    With prompting and support, invent and inhabit an imaginary elsewhere in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.1A.bK

    With prompting and support, use nonrepresentational materials to create props, puppets, and costume pieces for dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.2A.aK

    With prompting and support, interact with peers and contribute to dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.2A.bK

    With prompting and support, express original ideas in dramatic play or a guided drama experience (e.g., creative drama, process drama, story drama).

  • TH.K.3A.aK

    With prompting and support, ask and answer questions in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.4A.aK

    support, identify characters in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama). a. With prompting and support, identify characters and setting in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.5A.aK

    With prompting and support, understand that voice and sound are fundamental to dramatic play and guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.K.5A.bK

    With prompting and support, explore and experiment with various technical elements in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.5A.cK

    With prompting and support, demonstrate audience etiquette for the venue.

  • TH.K.6A.aK

    With prompting and support, use voice and sound in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.7A.aK

    With prompting and support, express an emotional response to characters in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.8A.aK

    With prompting and support, identify preferences in dramatic play, a guided drama experience (e.g., process drama, story drama, creative drama), or ageappropriate theatre performance.

  • TH.K.8A.bK

    With prompting and support, name and describe settings in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.9A.aK

    With prompting and support, actively engage with others in dramatic play or a guided drama experience ((e.g., process drama, story drama, creative drama).

  • TH.K.10A.aK

    With prompting and support, identify similarities between characters and oneself in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.11A.aK

    With prompting and support, identify skills and knowledge from other areas in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.11B.aK

    With prompting and support, identify stories that are different from one another in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.K.11B.bK

    With prompting and support, tell a short story in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.1A.a1

    Propose potential choices characters could make in a guided drama experience (e.g., process drama, story drama, creative drama). a. Propose potential new details to plot and story in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.1A.b1

    Collaborate with peers to conceptualize costumes and props in a guided drama experience (e.g., process drama, story drama, creative drama)

  • TH.1.1A.c1

    Identify ways in which gestures and movement may be used to create or retell a story in guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.1.2A.a1

    Contribute to the development of a sequential plot in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.2A.b1

    With prompting and support, participate in group decision making in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.3A.a1

    Contribute to the adaptation of the plot in a guided drama experience (e.g., process drama, story drama, creative drama)

  • TH.1.3A.b1

    Identify similarities and differences in sounds and movements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.3A.c1

    Collaborate to imagine multiple representations of a single object in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.4A.a1

    Describe a story’s character actions and dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.4A.b1

    Use body, face, gestures, and voice to communicate character traits and emotions in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.5A.a1

    With prompting and support, identify and understand that physical movement is fundamental to guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.1.5A.b1

    With prompting and support, identify technical elements that can be used in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.5A.c1

    With prompting and support, demonstrate appropriate audience etiquette for the venue and purpose.

  • TH.1.6A.a1

    With prompting and support, use movement and gestures to communicate emotions in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.7A.a1

    Recall choices made in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.8A.a1

    Explain preferences and emotions in a guided drama experience (e.g., process drama, story drama, creative drama), or ageappropriate theatre performance.

  • TH.1.8A.b1

    Identify causes of character actions in a guided drama experience (e.g., process drama, story drama, or creative drama).

  • TH.1.8A.c1

    Explain or use text and pictures to describe how personal emotions and choices compare to the emotions and choices of characters in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.9A.a1

    Build on others’ ideas in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.9A.b1

    Identify props and costumes that might be used in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.9A.c1

    Compare and contrast the experiences of characters in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.10A.a1

    Identify character emotions in a guided drama experience (e.g., process drama, story drama, creative drama) and relate it to personal experience

  • TH.1.11A.a1

    Apply skills and knowledge from different art forms and content areas in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.11B.a1

    Identify similarities and differences in stories from one’s own community in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.11B.b1

    Collaborate on the creation of a short scene based on a fictional literary source in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.1A.a2

    Propose potential new details to plot and story in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.1A.b2

    Collaborate with peers to conceptualize scenery in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.1A.c2

    Identify ways in which voice and sounds may be used to create or retell a story in guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.2.2A.a2

    Collaborate with peers to devise meaningful dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.2A.b2

    Use and adapt sounds and movements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.3A.a2

    Contribute to the adaptation of dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.3A.b2

    Use and adapt sounds and movements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.3A.c2

    Generate independently multiple representations of a single object in a guided drama experience (e.g., process drama, story drama, creative drama.

  • TH.2.4A.a2

    Interpret story elements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.4A.b2

    Alter voice and body to expand and articulate nuances of a character in a guided drama experience (e.g., (e.g., process drama, story drama, creative drama).

  • TH.2.5A.a2

    Demonstrate the relationship between and among body, voice, and mind in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.5A.b2

    Explore technical elements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.5A.c2

    With prompting and support, demonstrate appropriate audience etiquette for the venue and purpose.

  • TH.2.6A.a2

    Contribute to group guided drama experiences (e.g., process drama, story drama, creative drama) and informally share with peers.

  • TH.2.7A.a2

    Recognize when artistic choices are made in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.8A.a2

    Explain how personal preferences and emotions affect an observer’s response in a guided drama experience (e.g., process drama, story drama, creative drama), or ageappropriate theatre performance.

  • TH.2.8A.b2

    Identify causes and consequences of character actions in a guided drama experience (e.g., process drama, story drama, or creative drama).

  • TH.2.8A.c2

    Explain or use text and pictures to describe how others’ emotions and choices may compare to the emotions and choices of characters in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.9A.a2

    Collaborate on a scene in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.9A.b2

    Use a prop or costume in a guided drama experience (e.g., process drama, story drama, creative drama) to describe characters, settings, or events.

  • TH.2.9A.c2

    Describe how characters respond to challenges in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.10A.a2

    Relate character experiences to personal experiences in a guided drama experience (e.g., process drama, story drama, creative drama)

  • TH.2.11A.a2

    Determine appropriate skills and knowledge from different art forms and content areas to apply in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.11B.a2

    Identify similarities and differences in stories from multiple cultures in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.11B.b2

    Collaborate on the creation of a short scene based on a non-fiction literary source in a guided drama experience (e.g., process drama, story drama, creative drama)

  • TH.3.1A.a3

    Create roles, imagined worlds, and improvised stories in a drama/theatre work

  • TH.3.1A.b3

    Imagine and articulate ideas for costumes, props and sets for the environment and characters in a drama/theatre work.

  • TH.3.1A.c3

    Collaborate to determine how characters might move and speak to support the story and given circumstances in drama/theatre work.

  • TH.3.2A.a3

    Participate in methods of investigation to devise original ideas for a drama/theatre work.

  • TH.3.2A.b3

    Compare ideas with peers and make selections that will enhance and deepen group drama/theatre work.

  • TH.3.3A.a3

    Collaborate with peers to revise, refine, and adapt ideas to fit the given parameters of a drama theatre work.

  • TH.3.3A.b3

    Participate and contribute to physical and vocal exploration in an improvised or scripted drama/theatre work

  • TH.3.3A.c3

    Practice and refine design and technical choices to support a devised or scripted drama/theatre work

  • TH.3.4A.a3

    Apply the elements of dramatic structure to a story and create a drama/theatre work

  • TH.3.4A.b3

    Investigate how movement and voice are incorporated into drama/theatre work.

  • TH.3.5A.a3

    Participate in a variety of physical, vocal, and cognitive exercises that can be used in a group setting for drama/theatre work.

  • TH.3.5A.b3

    Identify the basic technical elements that can be used in drama/theatre work.

  • TH.3.5A.c3

    With prompting and support, demonstrate appropriate audience etiquette for the venue and purpose.

  • TH.3.6A.c3

    With prompting and support, demonstrate appropriate audience etiquette for the venue and purpose.

  • TH.3.7A.a3

    Understand why artistic choices are made in a drama/theatre work.

  • TH.3.8A.a3

    Consider multiple personal experiences when participating in or observing a drama/theatre work.

  • TH.3.8A.b3

    Consider multiple ways to develop a character using physical characteristics and prop or costume design choices that reflect cultural perspectives in drama/theatre work

  • TH.3.8A.c3

    Examine how connections are made between oneself and a character’s emotions in drama/theatre work.

  • TH.3.9A.a3

    Understand how and why groups evaluate drama/theatre work.

  • TH.3.9A.b3

    Consider and analyze technical elements from multiple drama/theatre works.

  • TH.3.9A.c3

    Evaluate and analyze problems and situations in a drama/theatre work from an audience perspective.

  • TH.3.10A.a3

    Use personal experiences and knowledge to make connections to community and culture in a drama/theatre work.

  • TH.3.11A.a3

    Identify connections to community, social issues and other content areas in drama/theatre work.

  • TH.3.11B.a3

    Explore how stories are adapted from literature to drama/theatre work.

  • TH.3.11B.b3

    Examine how artists have historically presented the same stories using different art forms, genres, or drama/theatre conventions.

  • TH.4.1A.a4

    Articulate the visual details of imagined worlds, and improvised stories that support the given circumstances in a drama/theatre work.

  • TH.4.1A.b4

    Visualize and design technical elements that support the story and given circumstances in a drama/theatre work.

  • TH.4.1A.c4

    Imagine how a character might move to support the story and given circumstances in a drama/theatre work

  • TH.4.2A.a4

    Collaborate to devise original ideas for a drama/theatre work by asking questions about characters and plots

  • TH.4.2A.b4

    Make and discuss group decisions and identify responsibilities required to present a drama/theatre work to peers.

  • TH.4.3A.a4

    Revise and improve an improvised or scripted drama/theatre work through repetition and collaborative review.

  • TH.4.3A.b4

    Develop physical and vocal exercise techniques for an improvised or scripted drama/theatre work.

  • TH.4.3A.c4

    Collaborate on solutions to design and technical problems that arise in rehearsal for a drama/theatre work.

  • TH.4.4A.a4

    Modify the dialogue and action to change the story in a drama/theatre work

  • TH.4.4A.b4

    Make physical choices to develop a character in a drama/theatre work.

  • TH.4.5A.a4

    Choose acting exercises that can be applied to a drama/theatre work

  • TH.4.5A.b4

    Demonstrate the use of technical elements in a drama/theatre work.

  • TH.4.5A.c4

    Demonstrate appropriate audience etiquette for the venue, purpose, and style.

  • TH.4.6A.a4

    Present drama/theatre work informally to an audience.

  • TH.4.7A.a4

    Understand why artistic choices are made in a drama/theatre work.

  • TH.4.8A.a4

    Compare and contrast multiple personal experiences when participating in or observing a drama/theatre work.

  • TH.4.8A.b4

    Compare and contrast the qualities of characters in a drama/theatre work through physical characteristics and prop or costume design choices that reflect cultural

  • TH.4.8A.c4

    Identify and discuss physiological changes connected to emotions in drama/ theatre work

  • TH.4.9A.a4

    Propose a plan to evaluate drama/theatre work.

  • TH.4.9A.b4

    Investigate how technical elements may support a theme or idea in a drama/

  • TH.4.9A.c4

    Observe how a character’s choices impact an audience’s perspective in a drama/theatre work.

  • TH.4.10A.a4

    Identify the ways drama/theatre work reflects the perspectives of a community or culture.

  • TH.4.11A.a4

    Respond to community and social issues and incorporate other content areas in drama/theatre work.

  • TH.4.11B.a4

    Investigate crosscultural approaches to storytelling in drama/theatre work.

  • TH.4.11B.b4

    Compare the drama/theatre conventions of a given time period with those of the present.

  • TH.5.1A.a5

    Identify physical qualities that might reveal a character’s inner traits in the imagined world of a drama/theatre work.

  • TH.5.1A.b5

    Propose design ideas that support the story and given circumstances in a drama/theatre work.

  • TH.5.1A.c5

    Imagine how a character’s inner thoughts impact the story and given circumstances in a drama/ theatre work

  • TH.5.2A.a5

    Devise original ideas for a drama/theatre work that reflect collective inquiry about characters and their given circumstances.

  • TH.5.2A.b5

    Participate in defined responsibilities required to present a drama/theatre work informally to an audience.

  • TH.5.3A.a5

    Revise and improve an improvised or scripted drama/theatre work through repetition and self-review.

  • TH.5.3A.b5

    Use physical and vocal exploration for character development in an improvised or scripted drama/theatre work.

  • TH.5.3A.c5

    Create innovative solutions to design and technical problems that arise in rehearsal for a drama/theatre work.

  • TH.5.4A.a5

    Describe the underlying thoughts and emotions that create dialogue and action in a drama/theatre work

  • TH.5.4A.b5

    Use physical choices to create meaning in a drama/theatre work

  • TH.5.5A.a5

    Choose acting exercises that can be applied to a drama/theatre work

  • TH.5.5A.b5

    Demonstrate the use of technical elements in a drama/theatre work.

  • TH.5.5A.c5

    Demonstrate appropriate audience etiquette for the venue, purpose, and style.

  • TH.5.6A.a5

    Present drama/theatre work informally to an audience.

  • TH.5.7A.a5

    Understand why artistic choices are made in a drama/theatre work.

  • TH.5.8A.a5

    Justify responses based on personal experiences when participating in or observing a drama/theatre work.

  • TH.5.8A.b5

    Explain responses to characters based on cultural perspectives when participating in or observing drama/theatre work.

  • TH.5.8A.c5

    Investigate the effects of emotions on posture, gesture, breathing, and vocal intonation in a drama/theatre work

  • TH.5.9A.a5

    Develop and implement a plan to evaluate drama/theatre work.

  • TH.5.9A.b5

    Assess how technical elements represent the theme of a drama/theatre work.

  • TH.5.9A.c5

    Recognize how a character’s circumstances impact an audience’s perspective in a drama/theatre work.

  • TH.5.10A.a5

    Explain how drama/theatre connects oneself to a community or culture.

  • TH.5.11A.a5

    Investigate historical, global and social issues expressed in drama/theatre work.

  • TH.5.11B.a5

    Analyze commonalities and differences between stories set in different cultures in preparation for a drama/theatre work.

  • TH.5.11B.b5

    Identify historical sources that explain drama/theatre terminology and conventions.

  • TH.6.1A.a6

    Identify possible solutions to staging challenges in a drama/theatre work.

  • TH.6.1A.b6

    Identify solutions to design challenges in a drama/theatre work.

  • TH.6.1A.c6

    Imagine how a character’s inner thoughts impact the story and given circumstances in a drama/ theatre work

  • TH.6.2A.a6

    Use critical analysis to improve, refine, and evolve original ideas and artistic choices in a devised or scripted drama/theatre work

  • TH.6.2A.b6

    Contribute ideas and accept and incorporate the ideas of others in preparing or devising drama/theatre work.

  • TH.6.3A.a6

    Articulate and examine choices to refine a devised or scripted drama/theatre work.

  • TH.6.3A.b6

    Identify effective physical and vocal traits of characters in an improvised or scripted drama/theatre work

  • TH.6.3A.c6

    Explore a planned technical design during the rehearsal process for a devised or scripted drama/theatre work

  • TH.6.4A.a6

    Identify the essential events in a story or script that make up the dramatic structure in a drama/theatre work.

  • TH.6.4A.b6

    Experiment with various physical choices to communicate character in a drama/theatre work.

  • TH.6.5A.a6

    Recognize how acting exercises and techniques can be applied to a drama/theatre work.

  • TH.6.5A.b6

    Articulate how technical elements are integrated into a drama/ theatre work

  • TH.6.5A.c6

    Demonstrate appropriate audience etiquette for the venue, purpose, and style.

  • TH.6.6A.a6

    Adapt a drama/theatre work and present it informally for an audience.

  • TH.6.7A.a6

    Understand why artistic choices are made in a drama/theatre work.

  • TH.6.8A.a6

    Explain how artists make choices based on personal experience in a drama/theatre work.

  • TH.6.8A.b6

    Identify cultural perspectives that may influence the evaluation of a drama/theatre work.

  • TH.6.8A.c6

    Identify personal aesthetics, preferences, and beliefs through participation in or observation of drama/ theatre work.

  • TH.6.9A.a6

    Use supporting evidence and criteria to evaluate drama/theatre work.

  • TH.6.9A.b6

    Apply the production elements used in a drama/theatre work to assess aesthetic choices

  • TH.6.9A.c6

    Identify a specific audience or purpose for a drama/theatre work.

  • TH.6.10A.a6

    Explain how the actions and motivations of characters in a drama/theatre work impact perspectives of a community or culture.

  • TH.6.11A.a6

    Identify universal themes or common social issues and express them through a drama/theatre work.

  • TH.6.11B.a6

    Research and analyze two different versions of the same drama/theatre story to determine differences and similarities in the visual and aural world of each story

  • TH.6.11B.b6

    Investigate the time period and place of a drama/theatre work to better understand performance and design choices.

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