YourStateStandards

Nebraska K–6 theatre standards

Nebraska writes its own theatre standards. They are published as Nebraska K-12 Fine Arts Standards, adopted 2014 and are not a version of a national framework. 30 of 68 are matched to a national standard.

Verified against the four 2014 discipline PDFs at education.ne.gov/finearts/standards/ (final_fas_media_arts / _visual_arts / _dance / _theatre .pdf, which 302-redirect to /wp-content/uploads/2017/07/Final_FAS_*.pdf). Codes carry the grade band in their first segment (FA 2 = K-2, FA 5 = 3-5, FA 8 = 6-8) and the discipline in the second (1 Media, 2 Visual, 3 Dance, 5 Theatre).

Framework
Nebraska K-12 Fine Arts Standards
Adopted
2014
Source last checked
July 25, 2026
Read the official document

68 standards, kindergarten through 6th grade

  • FA 2.5.1.aK–2

    Identify an environment or event using body movement and sound (e.g., playground, grocery store, classroom).

  • FA 2.5.1.bK–2

    Listen to a story and identify the problem.

  • FA 2.5.1.cK–2

    Create, in a group, a tableau of a scene after hearing a fairytale.

  • FA 2.5.1.dK–2

    Engage in creative play, using a given theme, to tell a story (e.g. sharing, safety, friendship).

  • FA 2.5.1.eK–2

    Engage in creative play, using props, to tell a story.

  • FA 2.5.1.fK–2

    Explore character through body movement (e.g., enact occupations, fairy tale characters).

  • FA 2.5.2.aK–2

    Demonstrate expressive speech/vocal variety by sharing a personal experience.

  • FA 2.5.2.bK–2

    Follow instructor's oral instructions (e.g., speak clearly, stay focused on scene).

  • FA 2.5.2.cK–2

    Using classroom furniture and materials arrange a setting for a story as a group.

  • FA 2.5.2.dK–2

    Identify how a character conveyed his/her feelings and emotions.

  • FA 2.5.3.aK–2

    Demonstrate active listening and theatre etiquette during a presentation (e.g., eagerness, interest, appropriate response [i.e., applause, laughter, quiet]).

  • FA 2.5.3.bK–2

    Recall aspects of a performance.

  • FA 2.5.3.cK–2

    Distinguish between a character and a performer.

  • FA 2.5.3.dK–2

    Distinguish between fantasy and reality.

  • FA 2.5.3.eK–2

    Share reactions to a moment or scene in a performance (e.g., verbal or reenactment).

  • FA 2.5.4.aK–2

    Describes how a performance or story represents the culture of its time. (e.g., cultural folktales).

  • FA 2.5.4.bK–2

    Distinguish between real life vs. animation (e.g., Milan vs. live performance of The Lion King).

  • FA 2.5.4.cK–2

    Watch a performance or cartoon and describe personal likes and dislikes.

  • FA 2.5.4.eK–2

    Recognize at least two jobs in the performing arts.

  • FA 2.5.4.fK–2

    Recognize authorship.

  • FA 5.5.1.a3–5

    Create, in a group, an environment or event using body movement and sound (e.g., a forest, a baseball game) while working in a group.

  • FA 5.5.1.b3–5

    Using dialogue and movement, retell a story with a clear beginning, middle, and end (e.g., nursery rhymes, fairy tales). Work in small groups.

  • FA 5.5.1.c3–5

    Create three tableaus illustrating the beginning, middle, and end of a story and then connect them. Work in small groups.

  • FA 5.5.1.d3–5

    Identify themes within theatrical works.

  • FA 5.5.1.e3–5

    Write a short script incorporating narration and dialogue.

  • FA 5.5.1.f3–5

    Show a character using body movement (e.g., age, personality, family role, occupation).

  • FA 5.5.2.a3–5

    Demonstrate expressive reading using vocal variety (glossary) (e.g., read short passage aloud).

  • FA 5.5.2.b3–5

    Demonstrate characters (glossary) through movement (e.g., enact different ages, cartoon characters).

  • FA 5.5.2.c3–5

    Create characters, individually, appropriate to a specific location a location.

  • FA 5.5.2.d3–5

    Present a short script with narration and dialogue (e.g. readers' theatre).

  • FA 5.5.2.e3–5

    Respectfully receive polite feedback from instructor and peers.

  • FA 5.5.2.f3–5

    Design and craft a scenic element for an informal presentation (e.g., risers, prop, set piece, backdrop).

  • FA 5.5.2.g3–5

    Identify one's own vocal and physical choices in expressing an emotion or idea (e.g., show a sound and movement that express sadness, happiness, anger).

  • FA 5.5.3.a3–5

    Demonstrate respect for self and others (etiquette) in dramatic activities.

  • FA 5.5.3.b3–5

    Discuss how the audience was impacted by the conflict and characters.

  • FA 5.5.3.c3–5

    Recognize character traits and actor choices (e.g., how the character shows age, occupation, temperament).

  • FA 5.5.3.d3–5

    Recognize theatrical works as either dramatic or comedic genres.

  • FA 5.5.3.e3–5

    Articulate an emotional response to a component of a theatrical production (e.g., character, prop, costumes, song).

  • FA 5.5.4.a3–5

    Identify the cultural heritage of a particular work in theatre.

  • FA 5.5.4.b3–5

    Recognize how performances reflect everyday circumstances (e.g., historical events, natural disasters, family relationships).

  • FA 5.5.4.c3–5

    Watch a performance or film and explain personal likes and dislikes.

  • FA 5.5.4.d3–5

    Identify how performance reflects culture and history (e.g., The Nutcracker, Peter and the Wolf).

  • FA 5.5.4.e3–5

    Identify careers in the performing arts.

  • FA 5.5.4.f3–5

    Understand the concept of intellectual property.

  • FA 8.5.1.a6

    Use readily available props to create "the where" of a story (e.g., table, chairs, silverware indicate a restaurant).

  • FA 8.5.1.b6

    Plan and record, in small groups, an improvisation based on "the givens" of a scene (e.g., tell or present a story using a setting, characters and a series of events incorporating introduction, climax, resolution).

  • FA 8.5.1.c6

    Develop a linear plot structure that introduces and resolves a conflict.

  • FA 8.5.1.d6

    Create theatrical works to illustrate a theme within theatrical works.

  • FA 8.5.1.e6

    Write a dialogue with two to four characters.

  • FA 8.5.1.f6

    Use movement in conjunction with extraneous sounds and short phrases to demonstrate two distinct characters (e.g., movements/sounds of a soldier as compared to movements/sounds of a mother).

  • FA 8.5.2.a6

    Establish character (glossary) and emotion through the use of rate, articulation, enunciation, projection, inflection, and movement.

  • FA 8.5.2.b6

    Establish character and emotion through the use of facial expression, gesture, posture, and body movement (e.g., pantomime, emoting)

  • FA 8.5.2.c6

    Rehearse and portray, in small groups, characters within a defined "where."

  • FA 8.5.2.d6

    Deliver a scripted monologue to a focal point.

  • FA 8.5.2.e6

    Modify performance based on teacher/director and peer response.

  • FA 8.5.2.f6

    Design and craft a performance space including set and audience arrangement (e.g., use classroom furniture to create a courtroom in a proscenium, thrust, or arena).

  • FA 8.5.2.g6

    Examine one's own effectiveness in a production/scene (e.g., keep a journal of acting choices, reflect on video of own performance).

  • FA 8.5.3.a6

    Construct, share, and use audience code of conduct including appropriate audience behavior and respect for physical space.

  • FA 8.5.3.b6

    Identify, analyze, and discuss the impact of the stage space, casting, and technical elements.

  • FA 8.5.3.c6

    Compare the effectiveness of a single actor's performance (i.e., physical/vocal choices) as a variety of characters (e.g., Will Smith).

  • FA 8.5.3.d6

    Classify theatrical works as dramatic, comedic, or musical theatre genres.

  • FA 8.5.3.e6

    Discuss the impact on the audience of "willing suspension of disbelief" in a performance.

  • FA 8.5.4.a6

    Understand the historical relevance of various theatrical forms (e.g., Greek and Roman theatre, Medieval, Renaissance).

  • FA 8.5.4.b6

    Compare and contrast scripted and unscripted performances (e.g., situation comedy vs. reality shows).

  • FA 8.5.4.c6

    Dramatize a traditional ritual (e.g., funeral from Our Town, wedding from Fiddler on the Roof, fire scene from Lord of the Flies).

  • FA 8.5.4.d6

    Analyze how performance reflects culture and history (e.g., Oliver, The Color Purple).

  • FA 8.5.4.e6

    Investigate responsibilities for specific careers in performing arts.

  • FA 8.5.4.f6

    Demonstrate an understanding of the rights and responsibilities surrounding intellectual property (e.g., citing sources, paying royalties, receiving permission).

Nebraska’s other subjects