YourStateStandards

New Hampshire K–6 theatre standards

New Hampshire writes its own theatre standards. They are published as NH K-12 Curriculum Framework for the Arts (2001), adopted 2001 and are not a version of a national framework. 10 of 58 are matched to a national standard.

Framework
NH K-12 Curriculum Framework for the Arts (2001)
Adopted
2001
Source last checked
July 25, 2026
Read the official document

58 standards, kindergarten through 6th grade

  • TH.1.G4.aK-4
    collaborate to select interrelated characters, environments, and situations for classroom dramatizations
  • TH.1.G4.bK-4
    improvise dialogue to tell stories, then formalize their improvisations by writing or recording the dialogue.
  • TH.2.G4.aK-4
    imagine and clearly describe characters, their relationships, and their environments
  • TH.2.G4.bK-4
    use variations of locomotor and nonlocomotor movement and vocal pitch, tempo, and tone for different characters
  • TH.2.G4.cK-4
    assume roles in classroom dramatizations based on personal experience and heritage, imagination, literature, and history.
  • TH.3.G4.aK-4
    visualize environments and construct designs to communicate locale and mood
  • TH.3.G4.bK-4
    organize available materials that suggest scenery, properties, lighting, sound, costumes, and makeup in a collaborative group .
  • TH.4.G4.aK-4
    collaboratively plan and prepare improvisations
  • TH.4.G4.bK-4
    demonstrate various ways of staging classroom dramatizations such as using storytelling, video cameras, or movement
  • TH.5.G4.aK-4
    communicate information to peers about people, events, time, and place related to classroom dramatizations.
  • TH.6.G4.aK-4
    describe visual, aural, oral, and kinetic ( involving movement) elements in theatre, dramatic media, dance, music, and visual arts
  • TH.6.G4.bK-4
    compare how ideas and emotions are expressed in theatre, dramatic media, dance, music, and visual arts
  • TH.6.G4.cK-4
    select movement, music, or visual elements to enhance the mood of a classroom dramatization
  • TH.6.G4.dK-4
    identify connections between theatre and other disciplines in the curriculum.
  • TH.7.G4.aK-4
    identify and describe the visual, aural, oral, and kinetic elements of classroom dramatizations and dramatic performances
  • TH.7.G4.bK-4
    explain how the wants and needs of characters are similar to, and different than, their own
  • TH.7.G4.cK-4
    articulate emotional responses to and explain personal preferences about the whole as well as the parts of dramatic performances
  • TH.7.G4.dK-4
    analyze classroom dramatizations and, using appropriate terminology, constructively suggest alternative ideas for dramatizing roles, arranging environments, and developing situations; also suggest means of improving the collaborative processes of planning, playing, responding, and evaluating
  • TH.8.G4.aK-4
    identify and compare similar characters and situations in stories and dramas from and about various cultures, illustrate with classroom dramatizations, and discuss how theatre reflects life
  • TH.8.G4.bK-4
    identify and compare the various settings and reasons for creating drama and attending theatre, film, television, and electronic media productions
  • TH.8.G4.cK-4
    articulate the ways in which participation in theatre arts enhances daily lives.
  • TH.9.G4.aK-4
    discuss how creating theatre takes the efforts of many people with many different skills
  • TH.9.G4.bK-4
    describe a variety of professions in the field of theatre and identify careers that are associated with theatre
  • TH.9.G4.cK-4
    identify New Hampshire theatre resources (play groups, theatres, playhouses).
  • TH.1.G8.a5-6
    create, individually and in groups, characters, environments, and actions that create tension and suspense
  • TH.1.G8.b5-6
    refine and record dialogue and action
  • TH.1.G8.c5-6
    write simple scripts.
  • TH.2.G8.a5-6
    analyze descriptions, dialogue, and actions, in order to explain character motivation
  • TH.2.G8.b5-6
    invent character behaviors that align with the nature of a given script
  • TH.2.G8.c5-6
    demonstrate artistic choices, such as body alignment and diction, that develop characterizations
  • TH.2.G8.d5-6
    sustain character during ensemble interactions.
  • TH.3.G8.a5-6
    describe and use the relationships among scenery, properties, lighting, sound, costumes, and make-up in creating an environment appropriate for the drama
  • TH.3.G8.b5-6
    analyze improvised and scripted scenes for technical requirements
  • TH.3.G8.c5-6
    design stage environments, including setting, sound and light from traditional and nontraditional sources
  • TH.3.G8.d5-6
    work collaboratively and safely to select and create elements of scenery, properties, lighting, and sound to signify environments
  • TH.3.G8.e5-6
    select or create costumes and make up to suggest character.
  • TH.4.G8.a5-6
    lead small groups in planning visual and aural elements and in rehearsing improvised and scripted scenes
  • TH.4.G8.b5-6
    through the use of theatre elements, demonstrate social, group, and consensus skills
  • TH.4.G8.c5-6
    explore the uses of the stage to enhance dramatic value
  • TH.4.G8.d5-6
    develop staging and blocking techniques.
  • TH.5.G8.a5-6
    apply research from print and other sources to script writing, acting, design, and directing choices.
  • TH.6.G8.a5-6
    describe and compare the presentation of characters, environments, and actions in theatre, musical theatre, dramatic media, dance, and visual arts
  • TH.6.G8.b5-6
    incorporate elements of dance, music, and visual arts to express ideas and emotions in improvised and scripted scenes
  • TH.6.G8.c5-6
    express and compare personal reactions to several art forms
  • TH.6.G8.d5-6
    describe and compare the functions and interaction of performing and visual artists and audience members in theatre, dramatic media, musical theatre, dance, music, and visual arts
  • TH.6.G8.e5-6
    describe ways in which the principles and subject matter of theatre and other arts disciplines are interrelated.
  • TH.7.G8.a5-6
    describe and analyze the effect of publicity, study guides, programs, and physical environments on audience response and appreciation of dramatic performances
  • TH.7.G8.b5-6
    articulate and support the meanings constructed from dramatic performances
  • TH.7.G8.c5-6
    use articulated criteria to describe, analyze, and constructively evaluate the effectiveness of artistic choices found in dramatic performances
  • TH.7.G8.d5-6
    describe and evaluate the perceived effectiveness of students' contributions (as playwrights, actors, designers, and directors) to the collaborative process of developing improvised and scripted scenes.
  • TH.8.G8.a5-6
    describe and compare universal characters and situations in dramas from and about various cultures and historical periods, illustrate in improvised and scripted scenes, and discuss how theatre reflects culture
  • TH.8.G8.b5-6
    analyze the emotional and social impact of dramatic events in their lives, in the community, and in other cultures
  • TH.8.G8.c5-6
    explain how culture affects the content and production values of dramatic performances
  • TH.8.G8.d5-6
    explain how social concepts such as cooperation, communication, collaboration, consensus, self-esteem, risk, sympathy, and empathy apply in theatre and daily life
  • TH.8.G8.e5-6
    describe the value and significance of theatre in their daily lives.
  • TH.9.G8.a5-6
    identify a variety of performance and production related careers in theatre arts (such as actor, technician, stage manager, and designer)
  • TH.9.G8.b5-6
    identify and experience New Hampshire theatre resources
  • TH.9.G8.c5-6
    explain the knowledge, skills, and discipline needed to pursue careers and avocational opportunities in theatre, film, television, and electronic media.

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