New York K–6 dance standards
New York writes its own dance standards. They are published as New York State Learning Standards for the Arts, adopted 2017 and are not a version of a national framework. 141 of 154 are matched to a national standard.
- Framework
- New York State Learning Standards for the Arts
- Adopted
- 2017
- Source last checked
- July 22, 2026
154 standards, kindergarten through 6th grade
- DA:Cn10.1.K.aK
- DA:Cn10.1.K.bK
- DA:Cn11.1.K.aK
- DA:Cr1.1.K.aK
- DA:Cr1.1.K.bK
- DA:Cr2.1.K.aK
- DA:Cr2.1.K.bK
- DA:Cr2.1.K.cK
- DA:Cr3.1.K.aK
- DA:Cr3.1.K.bK
- DA:Pr4.1.K.aK
- DA:Pr4.1.K.bK
- DA:Pr4.1.K.cK
- DA:Pr5.1.K.aK
- DA:Pr5.1.K.bK
- DA:Pr5.1.K.cK
- DA:Pr6.1.K.aK
- DA:Pr6.1.K.bK
- DA:Re7.1.K.aK
- DA:Re7.1.K.bK
- DA:Re8.1.K.aK
- DA:Re9.1.K.aK
- DA:Cn10.1.1.a1
- DA:Cn10.1.1.b1
- DA:Cn11.1.1.a1
- DA:Cr1.1.1.a1
- DA:Cr1.1.1.b1
- DA:Cr2.1.1.a1
- DA:Cr2.1.1.b1
- DA:Cr2.1.1.c1
- DA:Cr3.1.1.a1
- DA:Cr3.1.1.b1
- DA:Pr4.1.1.a1
- DA:Pr4.1.1.b1
- DA:Pr4.1.1.c1
- DA:Pr5.1.1.a1
- DA:Pr5.1.1.b1
- DA:Pr5.1.1.c1
- DA:Pr6.1.1.a1
- DA:Pr6.1.1.b1
- DA:Re7.1.1.a1
- DA:Re7.1.1.b1
- DA:Re8.1.1.a1
- DA:Re9.1.1.a1
- DA:Cn10.1.2.a2
- DA:Cn10.1.2.b2
- DA:Cn11.1.2.a2
- DA:Cr1.1.2.a2
- DA:Cr1.1.2.b2
- DA:Cr2.1.2.a2
- DA:Cr2.1.2.b2
- DA:Cr2.1.2.c2
- DA:Cr3.1.2.a2
- DA:Cr3.1.2.b2
- DA:Pr4.1.2.a2
Demonstrate clear facings and intent when performing locomotor (e.g. walk, skip, gallop) and non-locomotor movement sequences (e.g. swing, twist, bend) that change body shapes, facings, and pathways in space. Identify symmetrical and asymmetrical body shapes and examine negative space between body parts and bodies. Differentiate between circling and turning as two separate ways of continuous directional change.
- DA:Pr4.1.2.b2
- DA:Pr4.1.2.c2
- DA:Pr5.1.2.a2
Demonstrate same side, and cross-body locomotor (e.g. gallop, skip) and non-locomotor movements (e.g. swing, twist, bend), and spatial relationships (e.g. over, under, around, through), and simple dance sequences that require moving through space with a variety of pathways (e.g. straight, curved, zig-zag). Show understanding of stage orientation (e.g., stage right and left, upstage, downstage).
- DA:Pr5.1.2.b2
- DA:Pr5.1.2.c2
- DA:Pr6.1.2.a2
- DA:Pr6.1.2.b2
- DA:Re7.1.2.a2
- DA:Re7.1.2.b2
- DA:Re8.1.2.a2
- DA:Re9.1.2.a2
- DA:Cn10.1.3.a3
- DA:Cn10.1.3.b3
Investigate a research question about a dance that communicates a perspective on an issue or event and explore its key aspects through movement. Share the dance study and describe how the creative process helped discover new aspects of this topic. Communicate the new learning in oral or written form.
- DA:Cn11.1.3.a3
- DA:Cr1.1.3.a3
- DA:Cr1.1.3.b3
- DA:Cr2.1.3.a3
- DA:Cr2.1.3.b3
- DA:Cr2.1.3.c3
- DA:Cr3.1.3.a3
- DA:Cr3.1.3.b3
- DA:Pr4.1.3.a3
- DA:Pr4.1.3.b3
- DA:Pr4.1.3.c3
- DA:Pr5.1.3.a3
- DA:Pr5.1.3.b3
- DA:Pr5.1.3.c3
- DA:Pr6.1.3.a3
- DA:Pr6.1.3.b3
- DA:Re7.1.3.a3
- DA:Re7.1.3.b3
- DA:Re8.1.3.a3
- DA:Re9.1.3.a3
- DA:Cn10.1.4.a4
- DA:Cn10.1.4.b4
Develop a question that relates to a topic of study. Research and select key aspects of the topic, using multiple sources. Choreograph and perform a short sequence that communicates the information. Describe what was learned from creating the dance and discuss how the topic might be portrayed using another form of expression.
- DA:Cn11.1.4.a4
- DA:Cr1.1.4.a4
- DA:Cr1.1.4.b4
- DA:Cr2.1.4.a4
- DA:Cr2.1.4.b4
- DA:Cr2.1.4.c4
- DA:Cr3.1.4.a4
- DA:Cr3.1.4.b4
- DA:Pr4.1.4.a4
- DA:Pr4.1.4.b4
- DA:Pr4.1.4.c4
- DA:Pr5.1.4.a4
- DA:Pr5.1.4.b4
- DA:Pr5.1.4.c4
- DA:Pr6.1.4.a4
- DA:Pr6.1.4.b4
- DA:Re7.1.4.a4
- DA:Re7.1.4.b4
- DA:Re8.1.4.a4
- DA:Re9.1.4.a4
- DA:Cn10.1.5.a5
- DA:Cn10.1.5.b5
Choose a topic, concept, or content from another discipline of study and research how other art forms have expressed the topic. Create a dance study that expresses the idea. Explain how the dance study expressed the idea and discuss how this learning process is similar to, or different from, other learning situations.
- DA:Cn11.1.5.a5
- DA:Cr1.1.5.a5
- DA:Cr1.1.5.b5
- DA:Cr2.1.5.a5
- DA:Cr2.1.5.b5
- DA:Cr2.1.5.c5
- DA:Cr3.1.5.a5
- DA:Cr3.1.5.b5
- DA:Pr4.1.5.a5
- DA:Pr4.1.5.b5
- DA:Pr4.1.5.c5
- DA:Pr5.1.5.a5
- DA:Pr5.1.5.b5
- DA:Pr5.1.5.c5
- DA:Pr6.1.5.a5
Adapt dance to alternative performance venues by modifying spacing and movements in accordance with the performance space. Document the process in writing. Demonstrate appropriate performer and audience etiquette in informal and formal performances. Post-performance, share peer performance experiences and arrive at group decisions about improving performance.
- DA:Pr6.1.5.b5
- DA:Re7.1.5.a5
- DA:Re7.1.5.b5
- DA:Re8.1.5.a5
- DA:Re9.1.5.a5
Define the characteristics of a dance that give it a strong overall impression, in relation to the elements of dance in genres, styles, or cultural movement practices. Generate, with peers, criteria for excellence in a dance, considering its cultural context. Use genre-specific dance terminology when appropriate.
- DA:Cn10.1.6.a6
- DA:Cn10.1.6.b6
Conduct research, using a variety of resources, to find information about a social issue of great interest. Use the information to create a dance study that expresses a specific point of view on the topic. Discuss whether the experience of creating and sharing the dance reinforces personal views or offers new knowledge and perspectives.
- DA:Cn11.1.6.a6
- DA:Cr1.1.6.a6
- DA:Cr1.1.6.b6
- DA:Cr2.1.6.a6
Explore choreographic devices (e.g. juxtaposition, shifting formations) and dance structures (e.g. ABA, solo or duet with group) with teacher guidance to develop a dance study that supports an artistic intent. Explain the goal or purpose of the dance. Analyze why choreographers use exploration and experimentation.
- DA:Cr2.1.6.b6
- DA:Cr2.1.6.c6
- DA:Cr3.1.6.a6
- DA:Cr3.1.6.b6
- DA:Pr4.1.6.a6
- DA:Pr4.1.6.b6
- DA:Pr4.1.6.c6
- DA:Pr5.1.6.a6
- DA:Pr5.1.6.b6
- DA:Pr5.1.6.c6
- DA:Pr6.1.6.a6
Evaluate unique characteristics of a venue and adapt movements to the performance space. Document the process in writing and in other media. Use performance etiquette and performance practices during class, rehearsal, and performance. Post-performance, receive, record, and reflect upon notes from the choreographer, and apply corrections to future performances.
- DA:Pr6.1.6.b6
Explore and select solutions to adapt to interaction with production elements (e.g. music/sound, props, costumes, sets, lighting) to enhance performance of a dance. Discuss the challenges of dancing with various production elements to intensify and heighten the artistic performance of a work, using dance and production terminology.
- DA:Re7.1.6.a6
- DA:Re7.1.6.b6
- DA:Re8.1.6.a6
- DA:Re9.1.6.a6