YourStateStandards

Oregon K–6 theatre standards

Oregon writes its own theatre standards. They are published as Oregon Arts Content Standards: Theatre, adopted 2015 and are not a version of a national framework. Every one is matched to a national standard.

Framework
Oregon Arts Content Standards: Theatre
Adopted
2015
Source last checked
August 1, 2026
Read the official document

154 standards, kindergarten through 6th grade

  • TH.1.CR1.K.1K

    With prompting and support, invent and inhabit an imaginary elsewhere in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.K.2K

    With prompting and support, use non-representational materials to create props, puppets, and costume pieces for dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.CR2.K.1K

    With prompting and support, interact with peers and contribute to dramatic play or a guided drama experience(e.g., process drama, story drama, creative drama).

  • TH.2.CR2.K.2K

    With prompting and support, express original ideas in dramatic play or a guided drama experience (e.g., creative drama, process drama, story drama).

  • TH.3.CR3.K.1K

    With prompting and support, ask and answer questions in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.4.PR1.K.1K

    With prompting and support, identify characters and setting in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.5.PR2.K.1K

    With prompting and support, understand that voice and sound are fundamental to dramatic play and guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.5.PR2.K.2K

    With prompting and support, explore and experiment with various technical elements in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.6.PR3.K.1K

    With prompting and support, use voice and sound in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.7.RE1.K.1K

    With prompting and support, express an emotional response to characters in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.8.RE2.K.1K

    With prompting and support, identify preferences in dramatic play, a guided drama experience (e.g., process drama, story drama, creative drama), or age-appropriate theatre performance.

  • TH.8.RE2.K.2K

    With prompting and support, name and describe settings in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.9.RE3.K.1K

    With prompting and support, actively engage with others in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.10.CO1.K.1K

    With prompting and support, identify similarities between characters and oneself in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.11.CO.K.1K

    With prompting and support, identify stories that are different from one another in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.11.CO.K.2K

    With prompting and support, tell a short story in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.1.11

    Propose potential choices characters could make in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.1.21

    Collaborate with peers to conceptualize costumes and props in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.1.31

    Identify ways in which gestures and movement may be used to create or retell a story in guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.2.CR2.1.11

    Contribute to the development of a sequential plot in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.CR2.1.21

    With prompting and support, participate in group decision making in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.3.CR3.1.11

    Contribute to the adaptation of the plot in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.3.CR3.1.21

    Identify similarities and differences in sounds and movements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.3.CR3.1.31

    Collaborate to imagine multiple representations of a single object in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.4.PR1.1.11

    Describe a story's character actions and dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.4.PR1.1.21

    Use body, face, gestures, and voice to communicate character traits and emotions in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.5.PR2.1.11

    With prompting and support, identify and understand that physical movement is fundamental to guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.5.PR2.1.21

    With prompting and support, identify technical elements that can be used in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.6.PR3.1.11

    With prompting and support, use movement and gestures to communicate emotions in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.7.RE1.1.11

    Recall choices made in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.8.RE2.1.11

    Explain preferences and emotions in a guided drama experience (e.g., process drama, story drama, creative drama), or age-appropriate theatre performance.

  • TH.8.RE2.1.21

    Identify causes of character actions in a guided drama experience (e.g., process drama, story drama, or creative drama).

  • TH.8.RE2.1.31

    Explain or use text and pictures to describe how personal emotions and choices compare to the emotions and choices of characters in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.9.RE3.1.11

    Build on others' ideas in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.9.RE3.1.21

    Identify props and costumes that might be used in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.9.RE3.1.31

    Compare and contrast the experiences of characters in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.10.CO1.1.11

    Identify character emotions in a guided drama experience (e.g., process drama, story drama, creative drama) and relate it to personal experience.

  • TH.11.CO.1.11

    Identify similarities and differences in stories from one's own community in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.11.CO.1.21

    Collaborate on the creation of a short scene based on a fictional literary source in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.2.12

    Propose potential new details to plot and story in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.2.22

    Collaborate with peers to conceptualize scenery in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.2.32

    Identify ways in which voice and sounds may be used to create or retell a story in guided drama experiences (e.g., process drama, story drama, creative drama).

  • TH.2.CR2.2.12

    Collaborate with peers to devise meaningful dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.2.CR2.2.22

    Contribute ideas and make decisions as a group to advance a story in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.3.CR3.2.12

    Contribute to the adaptation of dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.3.CR3.2.22

    Use and adapt sounds and movements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.3.CR3.2.32

    Generate independently multiple representations of a single object in a guided drama experience (e.g., process drama, story drama, creative drama.

  • TH.4.PR1.2.12

    Interpret story elements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.4.PR1.2.22

    Alter voice and body to expand and articulate nuances of a character in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.5.PR2.2.12

    Demonstrate the relationship between and among body, voice, and mind in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.5.PR2.2.22

    Explore technical elements in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.6.PR3.2.12

    Contribute to group guided drama experiences (e.g., process drama, story drama, creative drama) and informally share with peers.

  • TH.7.RE1.2.12

    Recognize when artistic choices are made in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.8.RE2.2.12

    Explain how personal preferences and emotions affect an observer's response in a guided drama experience (e.g., process drama, story drama, creative drama), or age-appropriate theatre performance.

  • TH.8.RE2.2.22

    Identify causes and consequences of character actions in a guided drama experience (e.g., process drama, story drama, or creative drama).

  • TH.8.RE2.2.32

    Explain or use text and pictures to describe how others' emotions and choices may compare to the emotions and choices of characters in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.9.RE3.2.12

    Collaborate on a scene in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.9.RE3.2.22

    Use a prop or costume in a guided drama experience (e.g., process drama, story drama, creative drama) to describe characters, settings, or events.

  • TH.9.RE3.2.32

    Describe how characters respond to challenges in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.10.CO1.2.12

    Relate character experiences to personal experiences in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.11.CO.2.12

    Identify similarities and differences in stories from multiple cultures in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.11.CO.2.22

    Collaborate on the creation of a short scene based on a non-fiction literary source in a guided drama experience (e.g., process drama, story drama, creative drama).

  • TH.1.CR1.3.13

    Create roles, imagined worlds, and improvised stories in a drama/theatre work.

  • TH.1.CR1.3.23

    Imagine and articulate ideas for costumes, props and sets for the environment and characters in a drama/theatre work.

  • TH.1.CR1.3.33

    Collaborate to determine how characters might move and speak to support the story and given circumstances in drama/theatre work.

  • TH.2.CR2.3.13

    Participate in methods of investigation to devise original ideas for a drama/theatre work.

  • TH.2.CR2.3.23

    Compare ideas with peers and make selections that will enhance and deepen group drama/theatre work.

  • TH.3.CR3.3.13

    Collaborate with peers to revise, refine, and adapt ideas to fit the given parameters of a drama theatre work.

  • TH.3.CR3.3.23

    Participate and contribute to physical and vocal exploration in an improvised or scripted drama/theatre work.

  • TH.3.CR3.3.33

    Practice and refine design and technical choices to support a devised or scripted drama/theatre work.

  • TH.4.PR1.3.13

    Apply the elements of dramatic structure to a story and create a drama/theatre work.

  • TH.4.PR1.3.23

    Investigate how movement and voice are incorporated into drama/theatre work.

  • TH.5.PR2.3.13

    Participate in a variety of physical, vocal, and cognitive exercises that can be used in a group setting for drama/theatre work.

  • TH.5.PR2.3.23

    Identify the basic technical elements that can be used in drama/theatre work.

  • TH.6.PR3.3.13

    Practice drama/theatre work and share reflections individually and in small groups.

  • TH.7.RE1.3.13

    Understand why artistic choices are made in a drama/theatre work.

  • TH.8.RE2.3.13

    Consider multiple personal experiences when participating in or observing a drama/theatre work.

  • TH.8.RE2.3.23

    Consider multiple ways to develop a character using physical characteristics and prop or costume design choices that reflect cultural perspectives in drama/theatre

  • TH.8.RE2.3.33

    Examine how connections are made between oneself and a character's emotions in drama/theatre work.

  • TH.9.RE3.3.13

    Understand how and why groups evaluate drama/theatre work.

  • TH.9.RE3.3.23

    Consider and analyze technical elements from multiple drama/theatre works.

  • TH.9.RE3.3.33

    Evaluate and analyze problems and situations in a drama/theatre work from an audience perspective.

  • TH.10.CO1.3.13

    Use personal experiences and knowledge to make connections to community and culture in a drama/theatre work.

  • TH.11.CO.3.13

    Explore how stories are adapted from literature to drama/theatre work.

  • TH.11.CO.3.23

    Examine how artists have historically presented the same stories using different art forms, genres, or drama/theatre conventions.

  • TH.1.CR1.4.14

    Articulate the visual details of imagined worlds, and improvised stories that support the given circumstances in a drama/theatre work.

  • TH.1.CR1.4.24

    Visualize and design technical elements that support the story and given circumstances in a drama/theatre work.

  • TH.1.CR1.4.34

    Imagine how a character might move to support the story and given circumstances in a drama/theatre work.

  • TH.2.CR2.4.14

    Collaborate to devise original ideas for a drama/theatre work by asking questions about characters and plots.

  • TH.2.CR2.4.24

    Make and discuss group decisions and identify responsibilities required to present a drama/theatre work to peers.

  • TH.3.CR3.4.14

    Revise and improve an improvised or scripted drama/theatre work through repetition and collaborative review.

  • TH.3.CR3.4.24

    Develop physical and vocal exercise techniques for an improvised or scripted drama/theatre work.

  • TH.3.CR3.4.34

    Collaborate on solutions to design and technical problems that arise in rehearsal for a drama/theatre work.

  • TH.4.PR1.4.14

    Modify the dialogue and action to change the story in a drama/theatre work.

  • TH.4.PR1.4.24

    Make physical choices to develop a character in a drama/theatre work.

  • TH.5.PR2.4.14

    Practice selected exercises that can be used in a group setting for drama/theatre work.

  • TH.5.PR2.4.24

    Propose the use of technical elements in a drama/theatre work.

  • TH.6.PR3.4.14

    Share small-group drama/theatre work, with peers as audience.

  • TH.7.RE1.4.14

    Identify artistic choices made in a drama/theatre work through participation and observation.

  • TH.8.RE2.4.14

    Compare and contrast multiple personal experiences when participating in or observing a drama/theatre work.

  • TH.8.RE2.4.24

    Compare and contrast the qualities of characters in a drama/theatre work through physical characteristics and prop or costume design choices that reflect cultural

  • TH.8.RE2.4.34

    Identify and discuss physiological changes connected to emotions in drama/theatre work.

  • TH.9.RE3.4.14

    Propose a plan to evaluate drama/theatre work.

  • TH.9.RE3.4.24

    Investigate how technical elements may support a theme or idea in a drama/theatre work.

  • TH.9.RE3.4.34

    Observe how a character's choices impact an audience's perspective in a drama/theatre work.

  • TH.10.CO1.4.14

    Identify the ways drama/theatre work reflects the perspectives of a community or culture.

  • TH.11.CO.4.14

    Analyze commonalities and differences between stories set in different cultures in preparation for a drama/theatre work.

  • TH.11.CO.4.24

    Compare the drama/theatre conventions of a given time period with those of the present.

  • TH.1.CR1.5.15

    Identify physical qualities that might reveal a character's inner traits in the imagined world of a drama/theatre work.

  • TH.1.CR1.5.25

    Propose design ideas that support the story and given circumstances in a drama/theatre work.

  • TH.1.CR1.5.35

    Imagine how a character's inner thoughts impact the story and given circumstances in a drama/theatre work.

  • TH.2.CR2.5.15

    Devise original ideas for a drama/theatre work that reflect collective inquiry about characters and their given circumstances.

  • TH.2.CR2.5.25

    Participate in defined responsibilities required to present a drama/theatre work informally to an audience.

  • TH.3.CR3.5.15

    Revise and improve an improvised or scripted drama/theatre work through repetition and self-review.

  • TH.3.CR3.5.25

    Use physical and vocal exploration for character development in an improvised or scripted drama/theatre work.

  • TH.3.CR3.5.35

    Create innovative solutions to design and technical problems that arise in rehearsal for a drama/theatre work.

  • TH.4.PR1.5.15

    Describe the underlying thoughts and emotions that create dialogue and action in a drama/theatre work.

  • TH.4.PR1.5.25

    Use physical choices to create meaning in a drama/theatre work.

  • TH.5.PR2.5.15

    Choose acting exercises that can be applied to a drama/theatre work.

  • TH.5.PR2.5.25

    Demonstrate the use of technical elements in a drama/theatre work.

  • TH.6.PR3.5.15

    Present drama/theatre work informally to an audience.

  • TH.7.RE1.5.15

    Explain personal reactions to artistic choices made in a drama/theatre work through participation and observation.

  • TH.8.RE2.5.15

    Justify responses based on personal experiences when participating in or observing a drama/theatre work.

  • TH.8.RE2.5.25

    Explain responses to characters based on cultural perspectives when participating in or observing drama/theatre work.

  • TH.8.RE2.5.35

    Investigate the effects of emotions on posture, gesture, breathing, and vocal intonation in a drama/theatre work.

  • TH.9.RE3.5.15

    Develop and implement a plan to evaluate drama/theatre work.

  • TH.9.RE3.5.25

    Assess how technical elements represent the theme of a drama/theatre work.

  • TH.9.RE3.5.35

    Recognize how a character's circumstances impact an audience's perspective in a drama/theatre work.

  • TH.10.CO1.5.15

    Explain how drama/theatre connects oneself to a community or culture.

  • TH.11.CO.5.15

    Analyze commonalities and differences between stories set in different cultures in preparation for a drama/theatre work.

  • TH.11.CO.5.25

    Identify historical sources that explain drama/theatre terminology and conventions.

  • TH.1.CR1.6.16

    Identify possible solutions to staging challenges in a drama/theatre work.

  • TH.1.CR1.6.26

    Identify solutions to design challenges in a drama/theatre work.

  • TH.1.CR1.6.36

    Explore a scripted or improvised character by imagining the given circumstances in a drama/theatre work.

  • TH.2.CR2.6.16

    Use critical analysis to improve, refine, and evolve original ideas and artistic choices in a devised or scripted drama/theatre work.

  • TH.2.CR2.6.26

    Contribute ideas and accept and incorporate the ideas of others in preparing or devising drama/theatre work.

  • TH.3.CR3.6.16

    Articulate and examine choices to refine a devised or scripted drama/theatre work.

  • TH.3.CR3.6.26

    Identify effective physical and vocal traits of characters in an improvised or scripted drama/theatre work.

  • TH.3.CR3.6.36

    Explore a planned technical design during the rehearsal process for a devised or scripted drama/theatre work.

  • TH.4.PR1.6.16

    Identify the essential events in a story or script that make up the dramatic structure in a drama/theatre work.

  • TH.4.PR1.6.26

    Experiment with various physical choices to communicate character in a drama/theatre work.

  • TH.5.PR2.6.16

    Recognize how acting exercises and techniques can be applied to a drama/theatre work.

  • TH.5.PR2.6.26

    Articulate how technical elements are integrated into a drama/theatre work.

  • TH.6.PR3.6.16

    Adapt a drama/theatre work and present it informally for an audience.

  • TH.7.RE1.6.16

    Describe and record personal reactions to artistic choices in a drama/theatre work.

  • TH.8.RE2.6.16

    Explain how artists make choices based on personal experience in a drama/theatre work.

  • TH.8.RE2.6.26

    Identify cultural perspectives that may influence the evaluation of a drama/theatre work.

  • TH.8.RE2.6.36

    Identify personal aesthetics, preferences, and beliefs through participation in or observation of drama/theatre work.

  • TH.9.RE3.6.16

    Use supporting evidence and criteria to evaluate drama/theatre work.

  • TH.9.RE3.6.26

    Apply the production elements used in a drama/theatre work to assess aesthetic choices.

  • TH.9.RE3.6.36

    Identify a specific audience or purpose for a drama/theatre work.

  • TH.10.CO1.6.16

    Explain how the actions and motivations of characters in a drama/theatre work impact perspectives of a community or culture.

  • TH.11.CO.6.16

    Research and analyze two different versions of the same drama/theatre story to determine differences and similarities in the visual and aural world of each story.

  • TH.11.CO.6.26

    Investigate the time period and place of a drama/theatre work to better understand performance and design choices.

Oregon’s other subjects