YourStateStandards

Virginia K–6 music standards

Virginia writes its own music standards. They are published as Fine Arts Standards of Learning, adopted 2020 and are not a version of a national framework. 288 of 302 are matched to a national standard.

General Music K-6. CSP 'Fine Arts (2020-)' general-music draft verified faithful by full code set-difference vs VDOE's own Elementary (K-5, /2024) + Middle School General Music (gr6, /2026) adopted docs, 0 drift. scripts/fix-va-music.mjs repairs two defects before promotion: renames one grade-band-grid pdftext artifact ('K-1011.1012.1013.1016' -> its real code K.3.c) and drops 50 'EI.*' Emerging Instrumental Music course rows (separate doc /2028, clamped to a bogus K-5 span; same exclusion class as the MS Instrumental/Choral electives). Re-run the extractor if music.csv is re-fetched. Content crosswalk to ncas music is deferred (crosswalk-only).

Framework
Fine Arts Standards of Learning
Adopted
2020
Source last checked
August 2, 2026
Read the official document

302 standards, kindergarten through 6th grade

  • K.3.cK
    Recognize basic contrasts in music, including fast/slow, high/low, loud/soft, and same/different.
  • K.1.aK
    Improvise simple movement.
  • K.1.bK
    Improvise melodic or rhythmic patterns.
  • K.1.cK
    Improvise using instruments, voice, and music to enhance stories and poems.
  • K.2.aK
    Ask questions about music.
  • K.2.bK
    Identify ways to create music.
  • K.2.cK
    Share ideas with a group.
  • K.3.aK
    Identify selected instruments visually and aurally.
  • K.3.bK
    Classify sound sources as vocal, instrumental, or environmental.
  • K.4K
    The student will express personal feelings evoked by a musical experience.
  • K.5K
    The student will identify how people work as a team while participating in music experiences.
  • K.6.aK
    Listen to and recognize patriotic songs.
  • K.6.bK
    Respond to music from a variety of time periods and places.
  • K.7K
    The student will identify how music is part of personal and community events.
  • K.8K
    The student will identify the value of creating personal music.
  • K.9K
    The student will identify people who create music (e.g., singers, instrumentalists, composers, conductors).
  • K.10K
    The student will identify technology tools for creating music.
  • K.11K
    The student will recognize relationships between music and other fields of knowledge.
  • K.12K
    The student will explore music literacy, including high and low pitches and rhythms represented by a variety of notational systems.
  • K.13.aK
    Sing songs using echo and ensemble singing.
  • K.13.bK
    Sing at the appropriate time following a musical introduction.
  • K.13.cK
    Match pitches within an appropriate range.
  • K.13.dK
    Demonstrate expressive qualities of music, including loud/soft and fast/slow.
  • K.14.aK
    Demonstrate high and low.
  • K.14.bK
    Demonstrate loud/soft and fast/slow.
  • K.14.cK
    Accompany songs and chants using body percussion as well as instruments.
  • K.15.aK
    Include patterns that suggest duple and triple meter.
  • K.15.bK
    Use instruments, body percussion, and voice.
  • K.15.cK
    Include sounds and silence.
  • K.16K
    The student will demonstrate a steady beat using movement, body percussion, instruments, and voice.
  • K.17.aK
    Use locomotor and non-locomotor movements.
  • K.17.bK
    Demonstrate expressive qualities of music, including loud/soft and fast/slow.
  • K.17.cK
    Illustrate moods and contrast in music and children’s literature.
  • K.17.dK
    Perform dances and other music activities.
  • 1.1.a1
    Improvise vocal responses to given melodic questions.
  • 1.1.b1
    Improvise body percussion.
  • 1.1.c1
    Improvise to enhance stories, songs, and poems.
  • 1.1.d1
    Compose simple rhythmic patterns.
  • 1.2.a1
    Brainstorm multiple solutions to a musical prompt.
  • 1.2.b1
    Identify steps taken in the creation of music.
  • 1.2.c1
    Share ideas for creating music with a group.
  • 1.3.a1
    Identify and classify the timbres of pitched and non-pitched instruments by sounds.
  • 1.3.b1
    Differentiate vocal and instrumental music.
  • 1.3.c1
    Distinguish between accompanied and unaccompanied vocal music.
  • 1.3.d1
    Recognize differences in melodic and rhythmic patterns and dynamics.
  • 1.41
    The student will describe personal ideas and emotions evoked by music.
  • 1.5.a1
    Use etiquette appropriate to different types of events/situations (e.g., classical concert, rock concert, sporting event).
  • 1.5.b1
    Understand active listening as a musician.
  • 1.5.c1
    Work together to reach a common goal.
  • 1.6.a1
    Recognize how music is used in the customs and traditions of a variety of cultures.
  • 1.6.b1
    Describe how people participate in music experiences.
  • 1.71
    The student will identify musicians in the school, community, and media.
  • 1.81
    The student will identify appropriate sources of information for learning about music.
  • 1.91
    The student will describe the roles of music and musicians.
  • 1.101
    The student will recognize how music can be created using innovative tools and new media.
  • 1.111
    The student will identify relationships between music and concepts learned in another content area.
  • 1.12.a1
    Identify high and low pitches represented by a variety of notational systems.
  • 1.12.b1
    Read and notate rhythmic patterns that include quarter notes, paired eighth notes, and quarter rests represented by a variety of notational systems.
  • 1.12.c1
    Identify basic music symbols.
  • 1.13.a1
    Sing high/low pitches and melodic contour.
  • 1.13.b1
    Demonstrate expressive qualities of music, including changes in dynamics and tempo.
  • 1.13.c1
    Use the head voice when singing or matching high pitches.
  • 1.13.d1
    Sing songs using echo and ensemble singing.
  • 1.14.a1
    Play two-pitch melodies using imitation.
  • 1.14.b1
    Play expressively with appropriate dynamics and tempo.
  • 1.14.c1
    Accompany songs and chants using body percussion as well as instruments.
  • 1.14.d1
    Use proper playing techniques.
  • 1.15.a1
    Include patterns that suggest duple and triple meter.
  • 1.15.b1
    Use instruments, body percussion, and voice.
  • 1.15.c1
    Include quarter notes, paired eighth notes, and quarter rests.
  • 1.161
    The student will understand and apply the difference between melodic rhythm and steady beat using body percussion, instruments, and voice.
  • 1.17.a1
    Use locomotor and non-locomotor movements.
  • 1.17.b1
    Demonstrate high and low pitches.
  • 1.17.c1
    Demonstrate expressive qualities of music, including changes in dynamics and tempo.
  • 1.17.d1
    Perform dances and other music activities.
  • 1.17.e1
    Dramatize songs, stories, and poems.
  • 2.1.a2
    Improvise simple rhythmic question-and-answer phrases.
  • 2.1.b2
    Improvise accompaniments, including ostinatos.
  • 2.1.c2
    Improvise to enhance stories, songs, and poems.
  • 2.1.d2
    Compose simple pentatonic melodies represented by a variety of notational systems.
  • 2.2.a2
    Brainstorm ideas for creating music.
  • 2.2.b2
    Describe steps taken in the creation of music.
  • 2.2.c2
    Develop questions for evaluating and revising music ideas as a group.
  • 2.3.a2
    Identify selected instruments visually and aurally.
  • 2.3.b2
    Describe sudden and gradual changes in dynamics and tempo using music terminology.
  • 2.3.c2
    Identify and categorize selected musical forms.
  • 2.3.d2
    Use music vocabulary to describe music.
  • 2.42
    The student will describe how music evokes personal ideas and emotions.
  • 2.5.a2
    Use audience and participant etiquette appropriate for the purposes and settings in which music is performed.
  • 2.5.b2
    Use active listening as a musician.
  • 2.5.c2
    Work together to reach a common goal.
  • 2.6.a2
    Identify music representing heritage, customs, and traditions of a variety of cultures.
  • 2.6.b2
    Explore styles of musical examples from various historical periods.
  • 2.72
    The student will describe roles of music and musicians in communities.
  • 2.82
    The student will identify appropriate sources for listening to music.
  • 2.92
    The student will identify how individuals create music.
  • 2.102
    The student will identify how music can be created using technology tools.
  • 2.112
    The student will identify relationships between music and other fields of knowledge.
  • 2.12.a2
    Identify written melodic patterns that move upward, downward, and stay the same.
  • 2.12.b2
    Use the musical alphabet to notate melodic patterns.
  • 2.12.c2
    Read and notate melodies based on a pentatonic scale.
  • 2.12.d2
    Read and notate rhythmic patterns that include half notes, half rests, whole notes, and whole rests.
  • 2.12.e2
    Use basic music symbols.
  • 2.13.a2
    Sing melodic patterns that move upward, downward, and stay the same.
  • 2.13.b2
    Sing melodies within the range of a sixth.
  • 2.13.c2
    Increase pitch accuracy while singing phrases and simple songs.
  • 2.13.d2
    Demonstrate expressive singing by changing dynamics and tempo.
  • 2.14.a2
    Play melodic patterns that move upward, downward, and stay the same.
  • 2.14.b2
    Play expressively, following changes in dynamics and tempo.
  • 2.14.c2
    Accompany songs and chants with ostinatos and single-chords.
  • 2.14.d2
    Use proper playing techniques.
  • 2.15.a2
    Use a counting system.
  • 2.15.b2
    Include patterns that suggest duple and triple meter.
  • 2.15.c2
    Use instruments, body percussion, and voice.
  • 2.15.d2
    Include half notes, half rests, whole notes, and whole rests.
  • 2.162
    The student will understand and apply the difference between melodic rhythm and steady beat using body percussion, instruments, and voice.
  • 2.17.a2
    Use locomotor and non-locomotor movements.
  • 2.17.b2
    Demonstrate high and low pitches.
  • 2.17.c2
    Demonstrate expressive qualities of music, including changes in dynamics and tempo.
  • 2.17.d2
    Perform dances and other music activities.
  • 2.17.e2
    Dramatize songs, stories, and poems.
  • 3.1.a3
    Improvise rhythmic question-and-answer phrases.
  • 3.1.b3
    Improvise accompaniments, including ostinatos.
  • 3.1.c3
    Compose melodies represented by a variety of notational systems.
  • 3.2.a3
    Brainstorm multiple ideas for creating music as a group.
  • 3.2.b3
    Identify elements of a creative process for music.
  • 3.2.c3
    Reflect on the quality and technical skill of a personal or group music performance.
  • 3.3.a3
    Identify and explain examples of musical form.
  • 3.3.b3
    Compare and contrast instruments visually and aurally.
  • 3.3.c3
    Listen to and describe basic music elements using music terminology.
  • 3.3.d3
    Compare and contrast stylistic differences in music from a variety of cultures.
  • 3.3.e3
    Describe music compositions and performances.
  • 3.43
    The student will explain personal motivations for making music.
  • 3.5.a3
    Use audience and participant etiquette appropriate for the purposes and settings in which music is performed.
  • 3.5.b3
    Demonstrate active listening for musical understanding.
  • 3.5.c3
    Use nonverbal communication (e.g., eye contact, body language).
  • 3.6.a3
    Recognize music compositions from different periods of music history.
  • 3.6.b3
    Listen to and describe instruments from a variety of time periods and places.
  • 3.73
    The student will describe why music has value to people and communities.
  • 3.83
    The student will recognize ethical use of the Internet for exploring music topics.
  • 3.93
    The student will identify a variety of careers in music.
  • 3.103
    The student will identify how music can be created using innovative tools and new media.
  • 3.113
    The student will describe relationships between music and other fields of knowledge.
  • 3.12.a3
    Identify written melodic movement as step, leap, or repeat.
  • 3.12.b3
    Demonstrate the melodic shape (contour) of a written musical phrase.
  • 3.12.c3
    Use a variety of notational systems.
  • 3.12.d3
    Read melodies of increasing complexity based on a pentatonic scale.
  • 3.12.e3
    Divide rhythms into measures.
  • 3.12.f3
    Read and notate rhythmic patterns that include sixteenth notes, single eighth notes, eighth rests, and dotted half notes.
  • 3.12.g3
    Explain the functions of basic music symbols.
  • 3.13.a3
    Sing in tune with a clear tone quality.
  • 3.13.b3
    Sing melodies within the range of an octave.
  • 3.13.c3
    Sing melodies notated in varying forms.
  • 3.13.d3
    Sing with expression using a wide range of tempos and dynamics.
  • 3.13.e3
    Sing rounds, partner songs, and ostinatos in two-part ensembles.
  • 3.13.f3
    Maintain proper posture for singing.
  • 3.14.a3
    Play music in two-part ensembles.
  • 3.14.b3
    Play melodies notated in varying forms.
  • 3.14.c3
    Play a given melody on an instrument.
  • 3.14.d3
    Play with expression using a wide range of tempos and dynamics.
  • 3.14.e3
    Accompany songs and chants with tonic and dominant chords.
  • 3.14.f3
    Demonstrate proper playing techniques.
  • 3.15.a3
    Use a counting system.
  • 3.15.b3
    Include patterns that suggest duple and triple meter.
  • 3.15.c3
    Use instruments, body percussion, and voice.
  • 3.15.d3
    Include sixteenth notes, single eighth notes, eighth rests, and dotted half notes.
  • 3.16.a3
    Determine strong and weak beats.
  • 3.16.b3
    Perform sets of beats grouped in twos and threes.
  • 3.17.a3
    Illustrate rondo form (ABACA).
  • 3.17.b3
    Perform non-choreographed and choreographed movements.
  • 3.17.c3
    Perform dances and other music activities.
  • 4.1.a4
    Improvise melodies and rhythms using a variety of sound sources.
  • 4.1.b4
    Compose short melodic and rhythmic phrases within specified guidelines.
  • 4.2.a4
    Describe ideas for creating music as a group.
  • 4.2.b4
    Describe elements of a creative process for music.
  • 4.2.c4
    Reflect on the process and outcome of creating music and revise work based on peer and teacher feedback.
  • 4.3.a4
    Identify instruments from a variety of music ensembles both visually and aurally.
  • 4.3.b4
    Distinguish between major and minor tonality.
  • 4.3.c4
    Listen to, compare, and contrast music compositions from a variety of cultures and time periods.
  • 4.3.d4
    Identify elements of music through listening using music terminology.
  • 4.3.e4
    Identify rondo form (ABACA).
  • 4.3.f4
    Review criteria used to evaluate compositions and performances.
  • 4.3.g4
    Describe performances and offer constructive feedback.
  • 4.44
    The student will explain personal preferences for musical works and performances using music terminology.
  • 4.5.a4
    Demonstrate audience and participant etiquette appropriate for the purposes and settings in which music is performed.
  • 4.5.b4
    Explain active listening for musical understanding.
  • 4.5.c4
    Give and receive age-appropriate feedback on performance.
  • 4.6.a4
    Describe music compositions from different periods of music history.
  • 4.6.b4
    Describe musical styles from a variety of time periods and places.
  • 4.6.c4
    Listen to and describe music from a variety of world cultures.
  • 4.6.d4
    Examine how music from popular culture reflects the past and influences the present.
  • 4.6.e4
    Explain how criteria used to value music may vary between people and communities.
  • 4.74
    The student will explain how music is an integral part of one’s life and community.
  • 4.84
    The student will describe digital citizenship for exploring music topics.
  • 4.94
    The student will identify skills learned in music class that relate to a variety of career options.
  • 4.104
    The student will compare and contrast digital and traditional methods for creating music.
  • 4.114
    The student will explore connections between music and other fields of knowledge for the development of problem-solving skills.
  • 4.12.a4
    Read melodies based on a hexatonic scale.
  • 4.12.b4
    Use traditional notation to write melodies containing stepwise motion.
  • 4.12.c4
    Read two-note accompaniment patterns (bordun).
  • 4.12.d4
    Read and notate rhythmic patterns that include dotted quarter note followed by an eighth note.
  • 4.12.e4
    Use a system to sight-read melodic and rhythmic patterns.
  • 4.12.f4
    Identify the meaning of the upper and lower numbers of simple time signatures ( 2 4, 3 4, 4 4).
  • 4.12.g4
    Identify dynamic markings (e.g., p, mp, mf, f).
  • 4.13.a4
    Sing with a clear tone quality and correct intonation.
  • 4.13.b4
    Sing diatonic melodies.
  • 4.13.c4
    Sing melodies notated in varying forms.
  • 4.13.d4
    Sing with expression using dynamics and phrasing.
  • 4.13.e4
    Sing in simple harmony.
  • 4.13.f4
    Demonstrate proper posture for singing.
  • 4.14.a4
    Play music of increasing difficulty in two-part ensembles
  • 4.14.b4
    Play melodies of increasing difficulty notated in varying forms.
  • 4.14.c4
    Play a given melody on an instrument.
  • 4.14.d4
    Play with expression using dynamics and phrasing.
  • 4.14.e4
    Accompany songs and chants with tonic, subdominant, and dominant chords.
  • 4.14.f4
    Demonstrate proper playing techniques.
  • 4.15.a4
    Use a counting system.
  • 4.15.b4
    Include patterns that suggest duple and triple meter.
  • 4.15.c4
    Use instruments, body percussion, and voice.
  • 4.15.d4
    Include dotted quarter note followed by an eighth note.
  • 4.16.a4
    Apply strong and weak beats.
  • 4.16.b4
    Perform and illustrate sets of beats grouped in twos and threes.
  • 4.17.a4
    Perform non-choreographed and choreographed movements.
  • 4.17.b4
    Perform dances and other music activities.
  • 4.17.c4
    Create movement to illustrate rondo (ABACA) musical form.
  • 5.1.a5
    Improvise melodies and rhythms of increasing complexity.
  • 5.1.b5
    Compose a short original composition within specified guidelines.
  • 5.2.a5
    Investigate music by documenting questions and conducting research on a musical topic of interest.
  • 5.2.b5
    Explain the role of a creative process in developing a music product or performance.
  • 5.2.c5
    Share finished works of music with a group.
  • 5.3.a5
    Group a variety of instruments into categories based on how their sounds are produced.
  • 5.3.b5
    Experiment with the science of sound.
  • 5.3.c5
    Analyze elements of music through listening using music terminology.
  • 5.3.d5
    Explain theme-and variation form.
  • 5.3.e5
    Apply accepted criteria when judging the quality of compositions and performances.
  • 5.45
    The student will analyze personal preferences among music compositions using music terminology.
  • 5.5.a5
    Exhibit acceptable performance etiquette as a participant and/or listener in relation to the context and style of music performed.
  • 5.5.b5
    Collaborate with others to create a musical presentation and acknowledge individual contributions as an integral part of the whole.
  • 5.6.a5
    Identify representative composers and music compositions from different periods of music history.
  • 5.6.b5
    Compare and contrast a variety of musical styles using music terminology.
  • 5.6.c5
    Examine factors that may inspire musicians to perform or compose.
  • 5.75
    The student will describe how people may participate in music within the community as performers, consumers of music, and music advocates.
  • 5.85
    The student will define intellectual property as it relates to music and the music industry.
  • 5.95
    The student will recognize various professional music careers (e.g., music producer, recording engineer, composer, arranger, music business, arts administrator, performer, music therapist, music teacher).
  • 5.105
    The student will investigate and explore innovative ways to make music.
  • 5.115
    The student will compare and contrast relationships between music and other fields of knowledge for the development of problem-solving skills.
  • 5.12.a5
    Identify the treble (G) and bass (F) clefs.
  • 5.12.b5
    Use a system to sight-read melodies based on the diatonic scale.
  • 5.12.c5
    Use traditional notation to write melodies containing skips and leaps.
  • 5.12.d5
    Read and notate rhythmic patterns of increasing complexity.
  • 5.12.e5
    Identify the meaning of the upper and lower numbers of compound time signatures (6/8).
  • 5.12.f5
    Identify tempo markings.
  • 5.13.a5
    Sing with attention to blend, balance, intonation, and expression.
  • 5.13.b5
    Sing melodies of increasing complexity notated in varying forms.
  • 5.13.c5
    Sing in two- and three-part harmony.
  • 5.13.d5
    Model proper posture for singing.
  • 5.14.a5
    Play music of increasing difficulty in a variety of ensembles.
  • 5.14.b5
    Play melodies and accompaniments of increasing difficulty notated in varying forms.
  • 5.14.c5
    Play with expression.
  • 5.14.d5
    Apply proper playing techniques.
  • 5.15.a5
    Use a counting system.
  • 5.15.b5
    Include patterns that suggest duple and triple meter.
  • 5.15.c5
    Use instruments, body percussion, and voice.
  • 5.15.d5
    Increase complexity, including syncopations.
  • 5.16.a5
    Apply accent.
  • 5.16.b5
    Identify duple and triple meter.
  • 5.17.a5
    Perform non-choreographed and choreographed movements, including music in duple and triple meters.
  • 5.17.b5
    Perform dances and other music activities.
  • 6.1.a6
    Improvise four-measure melodic and rhythmic phrases.
  • 6.1.b6
    Compose four-measure melodies and rhythms.
  • 6.1.c6
    Arrange an existing musical phrase.
  • 6.2.a6
    Explore components of creative processes for music.
  • 6.2.b6
    Define, organize, and share personal ideas, investigations, and research of music ideas and concepts.
  • 6.3.a6
    Describe expressive qualities of works of music using inquiry skills and music terminology.
  • 6.3.b6
    Examine and apply personal and accepted criteria for evaluating works of music.
  • 6.3.c6
    Describe performances of music using music terminology.
  • 6.3.d6
    Apply accepted criteria for critiquing musical works and performances of self and others.
  • 6.4.a6
    Identify reasons for preferences among works of music using music terminology.
  • 6.4.b6
    Identify ways in which music evokes sensory, emotional, and intellectual responses, including ways in which music can be persuasive.
  • 6.56
    The student will identify and demonstrate collaboration and communication skills for music, including active listening.
  • 6.6.a6
    Identify the cultural influences, musical styles, composers, and historical periods associated with the music literature being studied.
  • 6.6.b6
    Describe ways in which culture influences the development of music and music styles.
  • 6.76
    The student will explore the functions of music, including the use of music as a form of expression, communication, ceremony, and entertainment.
  • 6.86
    The student will explain intellectual property as it relates to music.
  • 6.96
    The student will describe career options in music.
  • 6.106
    The student will identify ways in which culture and technology influence the development of music and musical styles, including the ways sound is manipulated.
  • 6.116
    The student will describe the connections of music to the other fine arts and other fields of knowledge.
  • 6.12.a6
    Identify tonal, rhythmic, and melodic patterns containing steps, skips, and leaps.
  • 6.12.b6
    Recognize diatonic intervals.
  • 6.12.c6
    Identify and notate melodies on the musical staff.
  • 6.12.d6
    Read and notate rhythmic patterns that include whole notes, half notes, quarter notes, eighth notes, and corresponding rests.
  • 6.12.e6
    Identify the meaning of the upper and lower numbers of time signatures.
  • 6.13.a6
    Sing or play music in unison and simple harmony.
  • 6.13.b6
    Follow dynamic and tempo markings.
  • 6.13.c6
    Identifying appropriate performance practices.
  • 6.14.a6
    Sing or play instruments with and without notation.
  • 6.14.b6
    Perform music in a variety of ensembles.
  • 6.15.a6
    Use a counting system.
  • 6.15.b6
    Include patterns that suggest duple and triple meter
  • 6.15.c6
    Use instruments, body percussion, and voice.
  • 6.15.d6
    Include whole notes, half notes, quarter notes, eighth notes, and corresponding rests.
  • 6.166
    The student will respond to music with movement by performing non-choreographed and choreographed movements.

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