YourStateStandards

Florida K–6 theatre standards

Florida writes its own theatre standards. They are published as Fine Arts Next Generation Sunshine State Standards, adopted 2014 and are not a version of a national framework. 145 of 230 are matched to a national standard.

Framework
Fine Arts Next Generation Sunshine State Standards
Adopted
2014
Source last checked
July 23, 2026
Read the official document

230 standards, kindergarten through 6th grade

  • TH.K.C.1.1K

    Create a story about an everyday event involving family members and/or pets using body movements, sounds, and imagination.

  • TH.K.C.2.1K

    Respond to a performance and share personal preferences about parts of the performance.

  • TH.K.C.3.1K

    Recognize that individuals may like different things about a selected story or play.

  • TH.K.C.3.2K

    Share reactions to a live theatre performance.

  • TH.K.F.1.1K

    Pretend to be an animal by imitating its movements and sounds.

  • TH.K.F.3.1K

    Exhibit age-appropriate dramatic play behaviors.

  • TH.K.H.2.1K

    Identify how the elements of place and time can change a story.

  • TH.K.H.3.1K

    Describe feelings related to watching a play.

  • TH.K.O.1.1K

    Share opinions about a story with classmates.

  • TH.K.O.2.1K

    Draw a picture of a favorite scene from a play.

  • TH.K.O.3.1K

    Compare a story that is read to one that is acted out.

  • TH.K.S.1.1K

    Demonstrate appropriate audience behavior at a live performance.

  • TH.K.S.1.2K

    Describe play-acting, pretending, and real life.

  • TH.K.S.1.3K

    Describe personal preferences related to a performance.

  • TH.K.S.2.1K

    Pretend to be a character from a given story.

  • TH.K.S.3.1K

    Use imagination to show a person at work, using the body and voice to communicate ideas.

  • TH.K.S.3.2K

    Describe the concept of beginning, middle, and ending in stories using dramatic play.

  • TH.K.S.3.3K

    Demonstrate use of the stage space using dramatic play.

  • TH.1.C.1.11

    Create a story and act it out, using a picture of people, animals, or objects as the inspiration.

  • TH.1.C.1.21

    Draw a picture from a favorite story and share with the class why the scene was important to the story.

  • TH.1.C.2.11

    Discuss what worked well and what didn't work well after acting out a story.

  • TH.1.C.2.21

    Identify elements of an effective performance.

  • TH.1.C.3.11

    Share opinions about selected plays.

  • TH.1.F.1.11

    Pretend to be an animal or person living in an imagined place.

  • TH.1.F.3.11

    Describe and discuss how to work together as actors.

  • TH.1.H.1.11

    Identify characters in stories from various cultures.

  • TH.1.H.1.21

    Describe how people respond to special events in the community.

  • TH.1.H.2.11

    Re-tell a story, demonstrating respect, from a culture other than one's own.

  • TH.1.H.3.11

    Identify similarities between plays and stories.

  • TH.1.O.1.11

    Demonstrate how the parts of the story go together by acting out a story with a beginning, middle, and end.

  • TH.1.O.2.11

    Describe in words or by drawing a picture, the most exciting part in the story line of a play.

  • TH.1.O.3.11

    Compare a play to an animated movie that tells the same story.

  • TH.1.S.1.11

    Exhibit appropriate audience etiquette and response.

  • TH.1.S.1.21

    Demonstrate the differences between play-acting, pretending, and real life.

  • TH.1.S.1.31

    Explain personal preferences related to a performance.

  • TH.1.S.2.11

    Collaborate with others to present scenes from familiar stories.

  • TH.1.S.3.11

    Use simple acting techniques to portray a person, place, action, or thing.

  • TH.1.S.3.21

    Describe characters and plot development discovered during dramatic play.

  • TH.1.S.3.31

    Distinguish stage space from audience space to show understanding of the physical relationship between audience and actor in performance.

  • TH.2.C.1.12

    Describe a character in a story and tell why the character is important to the story.

  • TH.2.C.1.22

    Respond to a play by drawing and/or writing about a favorite aspect of it.

  • TH.2.C.2.12

    Discuss the purpose of a critique.

  • TH.2.C.2.22

    Describe how an actor in a play, musical, or film creates a character.

  • TH.2.C.3.12

    Identify important characteristics to discuss when sharing opinions about theatre.

  • TH.2.F.1.12

    Create and sustain a character inspired by a class reading or activity.

  • TH.2.F.2.12

    Identify the jobs people can have in a theater.

  • TH.2.F.3.12

    Identify what was successful about a collaborative theatre activity.

  • TH.2.H.1.12

    Read and dramatize stories with similar themes to show developing knowledge of, and respect for, cultural differences.

  • TH.2.H.1.22

    Explain how to respond as an audience member in a different way, depending on the style of performance.

  • TH.2.H.2.12

    Identify universal characters in stories from different cultures.

  • TH.2.H.3.12

    Create dialogue for characters from a story.

  • TH.2.O.1.12

    Compare the differences between reading a story and seeing it as a play.

  • TH.2.O.1.22

    Explain the difference between the stage, backstage, and audience areas.

  • TH.2.O.2.12

    Re-tell what happened in the beginning, middle, and end of a story after viewing a play.

  • TH.2.O.3.12

    Identify theatrical elements and vocabulary found in everyday life.

  • TH.2.S.1.12

    Exhibit the behavior necessary to establish audience etiquette, response, and constructive criticism.

  • TH.2.S.1.22

    Compare, explain, and exhibit the differences between play-acting, pretending, and real life.

  • TH.2.S.1.32

    Explain, using specific examples, why some individuals may or may not like a particular performance.

  • TH.2.S.2.12

    Collaborate with others to perform a scene and solve challenges.

  • TH.2.S.3.12

    Create imagined characters, relationships, and environments using basic acting skills.

  • TH.2.S.3.22

    Communicate with others the concept of dramatic conflict and resolution in stories using dramatic play.

  • TH.2.S.3.32

    Create the stage space to communicate character and action in specific locales.

  • TH.3.C.1.13

    Create an imaginative costume piece or prop out of everyday items found around the classroom or at home and use it as the basis to tell an original story.

  • TH.3.C.1.23

    Watch a play and describe how the elements of light, costumes, props, and sound influence the mood of the production.

  • TH.3.C.2.13

    Revise a formal or informal performance after receiving a critique.

  • TH.3.C.2.23

    Discuss the meaning of an artistic choice to support development of critical thinking and decision-making skills.

  • TH.3.C.3.13

    Discuss the techniques that help create an effective theatre work.

  • TH.3.F.1.13

    Create and/or collect appropriate props and costumes and use them to help tell a story.

  • TH.3.F.1.23

    Arrange classroom furniture to create an environment for a story.

  • TH.3.F.2.13

    Identify non-theatre professions that require the same skills as are used in theatre.

  • TH.3.F.3.13

    Participate in a collaborative project to create a theatrical performance and reflect on the experience.

  • TH.3.H.1.13

    Understand how cultural differences are expressed through character, environment, and theme.

  • TH.3.H.1.23

    Interview an adult and create a story from his or her life using any theatrical form.

  • TH.3.H.2.13

    Identify geographical or cultural origins of stories.

  • TH.3.H.2.23

    Create and tell a story, fable, or tale.

  • TH.3.H.3.13

    Identify interpersonal skills that are learned through participation in a play.

  • TH.3.H.3.23

    Discuss differences between stories that are presented in different modes or time periods.

  • TH.3.H.3.33

    Plan and perform a simple performance based on a theme from another content area.

  • TH.3.O.1.13

    Describe how an actor creates a character.

  • TH.3.O.1.23

    Discuss why we use costumes and makeup in a play.

  • TH.3.O.2.13

    Describe what happened in a play, using age-appropriate theatre terminology.

  • TH.3.O.2.23

    Collaborate to create a collage to show the emotion(s) of a particular story or play.

  • TH.3.O.3.13

    Compare the characteristics of theatre to television and movies.

  • TH.3.S.1.13

    Demonstrate effective audience etiquette and constructive criticism for a live performance.

  • TH.3.S.1.23

    Compare a theatrical performance with real life and discuss how theatre makes pretense seem like real life.

  • TH.3.S.1.33

    Evaluate a performance, using correct theatre terms, and give specific examples to support personal opinions.

  • TH.3.S.2.13

    Discuss the process and responsibilities in creating a play and then apply them to collaborate and create a simple production.

  • TH.3.S.3.13

    Create and sustain imagined characters and relationships, using basic acting skills, to tell a simple story.

  • TH.3.S.3.23

    Use information gained from research to shape the creation of a character.

  • TH.3.S.3.33

    Describe elements of dramatic performance that produce an emotional response in oneself or an audience.

  • TH.3.S.3.43

    Describe the relationships between scenery, properties, lighting, sound, costumes, and makeup in dramatic scenes and informal play productions.

  • TH.4.C.1.14

    Devise a story about an age-appropriate issue and explore different endings.

  • TH.4.C.1.24

    Describe choices made to create an original pantomime based on a fable, folk tale, or fairy tale.

  • TH.4.C.2.14

    Provide a verbal critique to help strengthen a peer's performance.

  • TH.4.C.2.24

    Reflect on the strengths and needs of one's own performance.

  • TH.4.C.2.34

    Describe the choices perceived in a peer's performance or design.

  • TH.4.C.3.14

    Identify the characteristics of an effective acting performance.

  • TH.4.C.3.24

    Create an original scene or monologue based on a historical event or person.

  • TH.4.C.3.34

    Define the elements of a selected scene that create an effective presentation of an event or person.

  • TH.4.F.1.14

    Create a character based on a historical figure and respond to questions, posed by the audience, about that character.

  • TH.4.F.1.24

    Create sound and lighting effects to suggest the mood of a story.

  • TH.4.F.2.14

    Identify the types of jobs related to putting on a theatre production and compare them with other arts-related and non-arts performances or events.

  • TH.4.F.3.14

    Identify the leadership qualities of directors, actors, and/or technicians.

  • TH.4.H.1.14

    Re-create a famous character from Florida history.

  • TH.4.H.1.24

    Define how a character might react to a new set of circumstances in a given story.

  • TH.4.H.1.34

    Identify playwrights whose lives or careers have a connection with Florida.

  • TH.4.H.2.14

    Discover how the same idea or theme is treated in a variety of cultural and historic periods.

  • TH.4.H.2.24

    Re-tell stories, fables, and/or tales from cultures that settled in Florida.

  • TH.4.H.3.14

    Describe how individuals learn about themselves and others through theatre experiences.

  • TH.4.H.3.24

    Compare a historical play with actual historical events.

  • TH.4.H.3.34

    Create an original story after listening to music or viewing a work of art.

  • TH.4.O.1.14

    Describe what a designer and director do to support the actor in creating a performance.

  • TH.4.O.1.24

    Identify common audience conventions used when viewing a play.

  • TH.4.O.2.14

    Write a summary of dramatic events after reading or watching a play.

  • TH.4.O.2.24

    Create a mask to show a comic or tragic character.

  • TH.4.O.3.14

    Explain how theatre and its conventions are used to communicate ideas.

  • TH.4.O.3.24

    Explore how theatre is used to understand different cultures.

  • TH.4.S.1.14

    Exhibit proper audience etiquette, give constructive criticism, and defend personal responses.

  • TH.4.S.1.24

    Discuss the concept of "willing suspension of disbelief" used in theatre to help create the illusion of real life in performances.

  • TH.4.S.1.34

    Use theatre terms to evaluate a live performance and discuss the qualities that directly impacted the audience's response to the production.

  • TH.4.S.2.14

    Collaborate with others to share responsibilities for a production.

  • TH.4.S.3.14

    Create and sustain imagined characters and relationships, using basic acting skills, to re-tell a well-known fairy tale, fable, or story.

  • TH.4.S.3.24

    Use information gained from research to shape acting choices in a simple, historically based scene.

  • TH.4.S.3.34

    Describe elements of dramatic and technical performance that produce an emotional response in oneself or an audience.

  • TH.4.S.3.44

    Manipulate the relationships between scenery, properties, lighting, sound, costumes, and makeup in dramatic scenes and informal play productions to create different environments for a classroom piece.

  • TH.5.C.1.15

    Devise an original performance piece based on an age-appropriate theme or social issue relevant to the school climate and explore different solutions and endings.

  • TH.5.C.1.25

    Create an original pantomime using instrumental music created or found to set the mood.

  • TH.5.C.2.15

    Change and strengthen one's own performance based on coaching from a director.

  • TH.5.C.2.25

    Write a self-critique of a performance.

  • TH.5.C.2.35

    Defend an artistic choice for a theatrical work.

  • TH.5.C.2.45

    Identify correct vocabulary used in a formal theatre critique.

  • TH.5.C.3.15

    Discuss alternate performance possibilities of the same character in the same play.

  • TH.5.C.3.25

    Use a photograph, sculpture, or two-dimensional work of art to inspire creation of an original scene or monologue.

  • TH.5.C.3.35

    Define the visual elements that must be conveyed dramatically to make a scene effective.

  • TH.5.F.1.15

    Create a character based on a literary figure and respond to questions, posed by the audience, using information inferred in the story.

  • TH.5.F.1.25

    Create a new ending for a familiar story.

  • TH.5.F.1.35

    Take creative risks through improvisation, using sensory skills to explore characters' feelings and environments.

  • TH.5.F.2.15

    Identify jobs in the community that are associated with or impacted by having a theater in the neighborhood.

  • TH.5.F.3.15

    Examine and discuss the characteristics displayed by directors, actors, and technicians that can be applied to jobs outside the theatre classroom.

  • TH.5.H.1.15

    Research and describe the context in which a specified playwright wrote a particular dramatic work.

  • TH.5.H.1.25

    Participate in a performance to explore and celebrate a variety of human experiences.

  • TH.5.H.2.15

    Recognize theatre works as a reflection of societal beliefs and values.

  • TH.5.H.2.25

    Identify types of early American theatre.

  • TH.5.H.3.15

    Identify symbolism in a play that is found in other art forms.

  • TH.5.H.3.25

    Compare theatre to other modes of communication.

  • TH.5.H.3.35

    Demonstrate how the use of movement and sound enhance the telling of a story.

  • TH.5.H.3.45

    Act out a character learned about in another content area.

  • TH.5.O.1.15

    Explain an actor's choices in the creation of a character for a scene or play.

  • TH.5.O.1.25

    Make a list of the types of props that might be found in a play.

  • TH.5.O.1.35

    Evaluate how an actor or designer's choices about a character affect the audience's understanding of a play.

  • TH.5.O.2.15

    Create a story board of the major events in a play.

  • TH.5.O.2.25

    Make a list of types of props that might be found in a play.

  • TH.5.O.2.35

    Predict the ending of a play or performance.

  • TH.5.O.2.45

    Collaborate with others to develop and refine original scripts, and justify writing choices.

  • TH.5.O.3.15

    Describe a variety of theatrical methods and/or conventions that a group of individuals can use to communicate with audiences.

  • TH.5.O.3.25

    Explore how theatre can communicate universal truths across the boundaries of culture and language.

  • TH.5.S.1.15

    Describe the difference in responsibilities between being an audience member at live or recorded performances.

  • TH.5.S.1.25

    Weigh the use of "fourth wall" and "willing suspension of disbelief" in effectively creating the illusion of real life in specified theatre performances.

  • TH.5.S.1.35

    Evaluate a performance, using theatre terminology, and articulate emotional responses to the whole and parts of dramatic performances.

  • TH.5.S.2.15

    Collaborate with others to create productions and solve challenges.

  • TH.5.S.3.15

    Create and sustain imagined characters and relationships, using basic acting skills, to tell an original story based on historical, literary, or everyday situations.

  • TH.5.S.3.25

    Use information gained from research to shape acting choices in the re-telling of a favorite scene from a well-known literary piece.

  • TH.5.S.3.35

    Use elements of dramatic and technical performance designed to produce an emotional response in an audience.

  • TH.5.S.3.45

    Manipulate, based on research, the relationships between scenery, properties, lighting, sound, costumes, and makeup in dramatic scenes and informal play productions to create an environment.

  • TH.68.C.1.16

    Devise an original work based on a community issue that explores various solutions to a problem.

  • TH.68.C.1.26

    Develop a character analysis to support artistic portrayal.

  • TH.68.C.1.36

    Determine the purpose(s), elements, meaning, and value of a theatrical work based on personal, cultural, or historical standards.

  • TH.68.C.1.46

    Create and present a design, production concept, or performance and defend artistic choices.

  • TH.68.C.1.56

    Describe how a theatrical activity can entertain or instruct an audience.

  • TH.68.C.1.66

    Analyze selections from the canon of great world drama as a foundation for understanding the development of drama over time.

  • TH.68.C.2.16

    Use group-generated criteria to critique others and help strengthen each other's performance.

  • TH.68.C.2.26

    Keep a rehearsal journal to document individual performance progress.

  • TH.68.C.2.36

    Ask questions to understand a peer's artistic choices for a performance or design.

  • TH.68.C.2.46

    Defend personal responses to a theatre production.

  • TH.68.C.3.16

    Discuss how visual and aural design elements communicate environment, mood, and theme in a theatrical presentation.

  • TH.68.C.3.26

    Compare a film version of a story to its original play form.

  • TH.68.C.3.36

    Determine personal strengths and challenges, using evaluations and critiques to guide selection of material for a portfolio.

  • TH.68.F.1.16

    Manipulate various design components to imagine the world of the character.

  • TH.68.F.1.26

    Use vocal, physical, and imaginative ideas, through improvisation, as a foundation to create new characters and to write dialogue.

  • TH.68.F.1.36

    Demonstrate creative risk-taking by incorporating personal experiences in an improvisation.

  • TH.68.F.1.46

    Survey an aspect of theatre to understand the ways in which technology has affected it over time.

  • TH.68.F.2.16

    Research careers in the global economy that are not directly related to the arts, but include skills that are arts-based or derive part of their economic impact from the arts.

  • TH.68.F.2.26

    Identify industries within the state of Florida that have a significant impact on local economies, in which the arts are either directly or indirectly involved in their success.

  • TH.68.F.2.36

    Identify businesses that are directly or indirectly associated with school and community theatre, and calculate their impact on the local and/or regional economy.

  • TH.68.F.3.16

    Practice safe, legal, and responsible use of copyrighted, published plays to show respect for intellectual property and the playwright.

  • TH.68.F.3.26

    Develop a list of line items that would typically be found in a production budget for a performance.

  • TH.68.H.1.16

    Explore potential differences when performing works set in a variety of historical and cultural contexts.

  • TH.68.H.1.26

    Analyze the impact of one's emotional and social experiences when responding to, or participating in, a play.

  • TH.68.H.1.36

    Identify significant contributions of playwrights, actors, and designers and describe their dramatic heritage.

  • TH.68.H.1.46

    Create a monologue or story that reflects one's understanding of an event in a culture different from one's own.

  • TH.68.H.1.56

    Describe one's own personal responses to a theatrical work and show respect for the responses of others.

  • TH.68.H.1.66

    Discuss how a performer responds to different audiences.

  • TH.68.H.2.16

    Compare western theatre traditions with those of other cultures.

  • TH.68.H.2.26

    Identify examples of American musical theatre productions that reflect specific correlations to American history and culture.

  • TH.68.H.2.36

    Analyze theatre history and dramatic literature in the context of societal and cultural history.

  • TH.68.H.2.46

    Discuss the differences between presentational and representational theatre styles.

  • TH.68.H.2.56

    Compare decorum, environments, and manners from a variety of cultures and historical periods to discover and influence historical acting styles and design choices.

  • TH.68.H.2.66

    Describe historical and cultural influences leading to changes in theatre performance spaces and technology.

  • TH.68.H.2.76

    Define theatre genres from different periods in history, giving examples of each.

  • TH.68.H.2.86

    Identify and describe theatrical resources in the community, including professional and community theatres, experts, and sources of scripts and materials.

  • TH.68.H.3.16

    Identify principles and techniques that are shared between the arts and other content areas.

  • TH.68.H.3.26

    Read plays from a variety of genres and styles and compare how common themes are expressed in various art forms.

  • TH.68.H.3.36

    Use brainstorming as a method to discover multiple solutions for an acting or technical challenge.

  • TH.68.H.3.46

    Describe the importance of wellness and care for the actor's physical being as a performance instrument.

  • TH.68.H.3.56

    Describe how social skills learned through play participation are used in other classroom and extracurricular activities.

  • TH.68.H.3.66

    Discuss ways in which dance, music, and the visual arts enhance theatrical presentations.

  • TH.68.O.1.16

    Compare different processes an actor uses to prepare for a performance.

  • TH.68.O.1.26

    Discuss how color, line, shape, and texture are used to show emotion in technical theatre elements.

  • TH.68.O.1.36

    Explain the impact of choices made by directors, designers, and actors on audience understanding.

  • TH.68.O.1.46

    Discuss how the whole of a theatre performance is greater than the sum of its parts.

  • TH.68.O.2.16

    Diagram the major parts of a play and their relationships to each other.

  • TH.68.O.2.26

    Explain how a performance would change if depicted in a different location, time, or culture.

  • TH.68.O.2.36

    Write alternate endings for a specified play.

  • TH.68.O.2.46

    Perform a scene or pantomime to demonstrate understanding of blocking and stage movement.

  • TH.68.O.2.56

    Explain how the contributions of significant playwrights, performers, directors, designers, and producers from various cultures and historical periods have influenced the creative innovations of theatre.

  • TH.68.O.3.16

    Compare theatre and its elements and vocabulary to other art forms.

  • TH.68.O.3.26

    Explore how theatre and theatrical works have influenced various cultures.

  • TH.68.O.3.36

    Discuss the collaborative nature of theatre and work together to create a scene or play, respecting group members' ideas and differences.

  • TH.68.S.1.16

    Describe the responsibilities of audience members, to the actors and each other, at live and recorded performances and demonstrate appropriate behavior.

  • TH.68.S.1.26

    Invent a character with distinct behavior(s) based on observations of people in the real world and interact with others in a cast as the invented characters.

  • TH.68.S.1.36

    Describe criteria for the evaluation of dramatic texts, performances, direction, and production elements.

  • TH.68.S.1.46

    Discuss the ways in which theatre experiences involve empathy and aesthetic distance.

  • TH.68.S.2.16

    Discuss the value of collaboration in theatre and work together to create a theatrical production.

  • TH.68.S.2.26

    Discuss and apply the theatrical production process to create a live performance.

  • TH.68.S.2.36

    Analyze the relationships of plot, conflict, and theme in a play and transfer the knowledge to a play that contrasts in style, genre, and/or mood.

  • TH.68.S.2.46

    Memorize and present a character's lines from a monologue or scene.

  • TH.68.S.3.16

    Develop characterizations, using basic acting skills, appropriate for selected dramatizations.

  • TH.68.S.3.26

    Use the elements of dramatic form to stage a play.

  • TH.68.S.3.36

    Lead rehearsals of improvised and scripted scenes, communicating with cast and crew to create appropriate characterization and dramatic environments.

  • TH.68.S.3.46

    Lead small groups to safely select and create elements of technical theatre to signify a character or setting.

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